书体:

色彩:

装裱形式:

册(折装)

创作时间:

清圣祖康熙五十七年（1718）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：乐寿堂鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺

题跋资料:

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页162-163 参考书目： 1.林柏亭、张华芝，〈清冷枚画马〉，收入林柏亭、张华芝编，《画马名品特展图录》（台北：国立故宫博物院，1990年元月初版），页98-99。 内容简介（中文）： 冷枚，字吉臣，山东胶州人，生卒未详。师焦秉贞，得其眞传。康熙年间，供奉内廷，善画人物，尤精仕女。其作品见于康熙四十二年（一七０三）至五十七年（一七一八）间。画马八幅，选展其中四幅，依秩序为啮草、理毛、奔驰、擦痒，悉得马动息之情态。笔墨工整洁净。画成于康熙戊戌（西元一七一八年）。 内容简介（中文）： 冷枚，字吉臣，山东胶州人，生卒未详。师承曾任职于钦天监的焦秉贞，康熙中期入宫供职，擅长于中国题材中运用西洋的阴影及透视画法。画成于康熙戊戍（西元一七一八年），本件作品共八幅，选展七开，画中马匹或翻滚、或啮草、或理毛、或休憩、或擦养等，集合传统马画中的姿态，力求表现马匹动息之情态。可以与同时清宫盛行的贡马纪实画作比较。 内容简介（英文）： The dates for Leng Mei, a native of Chiao-chou in Shantung, are unknown. He once studied under Chiao Ping-chen in the Directorate of Astronomy. In the K’ang-hsi reign (1662-1722), he entered court service, excelling at Western methods of shading and perspective using Chinese materials.This work, done in 1718,consists of eight paintings, of which seven are on display here. The horses are shown rolling, grazing, grooming, resting, or scratching-representing a collection of traditional horse painting poses with every effort made to illustrate their various activities. This can be compared to the documentary style of painting horses as tribute done at the same time in the Ch’ing court. 内容简介（英文）： Leng Mei, style name Chi-ch’en, was a native of Chiao-chou, Shantung Province. It is known that he was a faithful student of Chiao Pin-chen and that he was summoned to court during the reign of the K’ang-hsi Emperor. He was a skilled painter of human figures, especially of beautiful women. From an album containing eight leaves, four are exhibited here. Completed in 1718, the album depicts horses in various poses: grazing, rolling, lyingdown, exercising, standing, being groomed, and scratching. The brushwork is neat and the painting is meticulous.