书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
收传印记：退密
收传印记：元汴之印
收传印记：墨林外史

题跋资料:

题跋类别：作者款识；作者：赵伯驹；题跋位置：本幅；款识：臣伯驹上楷书

主题:

主要主题：山水  主要主题：建筑台阁 ；次要主题：山水云 ；次要主题：树木松 ；次要主题：树木柏 ；次要主题：走兽鹿 ；次要主题：建筑栏杆 ；其他主题：山水江河、湖海 ；其他主题：山水瀑布 ；其他主题：佛道人物佛道侍者 ；其他主题：佛道人物神、仙 ；其他主题：树木  ；其他主题：花草  ；其他主题：翎毛鹤 ；其他主题：翎毛鸾凤 ；其他主题：翎毛  ；其他主题：果蔬桃子 ；其他主题：器用扇 ；其他主题：器用家俱（屏风）桌、凳；其他主题：器用花器 ；其他主题：器用文玩（琴棋书画）琴；其他主题：器用耕织渔猎锄；其他主题：器用如意 ；其他主题：器用枴杖 ；其他主题：器用饮食器盘；其他主题：器用篮．篓．箩筐 

技法:

工笔 界画 皴法 人物衣纹描法(粗细线条) 苔点 

参考资料:

收藏着录： 盛京故宫书画录，第五册，页2b 收藏着录： 故宫书画录（卷八），第四册，页176 收藏着录： 故宫书画图录，第二册，页17-18 内容简介（中文）： 赵伯驹，宋太祖七世孙，字千里，南宋建炎年间（西元一一二七—一一三○）官至浙东路钤辖。善青绿山水及木石、兼工花卉翎毛，尤长于人物。宋高宗曾命画集英殿屏，赏赐甚厚，多作小图。流传于世。唐朝李思训父子青绿山水，五代北宋继起无人，至伯驹、伯骕兄弟始复振起。 本幅画仙山楼阁，用色清润，山腰白云横飘，尤觉优雅。本幅为黄君璧先生捐赠。 内容简介（英文）： Chao Po-chü was a seventh generation descendant of the founder of the Sung dynasty, T'ai-tsu. During the Chien-yen reign (1127-1130) he served in office along the Eastern Che circuit (eastern Chekiang). He was a skilled painter of landscapes in the blue and green style, and he is also known for his paintings of rocks and trees, birds and animals and flowers, and figures. Chao Po-chü often worked on a small scale, and it is primarily for these works that he is known today. The blue and green style of landscape painting of the T'ang dynasty (618-906) painters Li Ssu-hsün and Li Chao-tao was not practiced during the Five Dynasties (906-960) and Northern Sung (960-1127). Chao Po—chü and his brother Chao Po-su were fundamental in reestablishing its popularity. This painting depicts palaces and towers in the mountains of immortals. Colors are richly applied but in such a manner as to preserve the clarity of the scene. The white clouds emanating from the depths of the mountain are particularly elegant. This painting was presented to the museum by Huang Chün-pi.