书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
收传印记：震□珍藏

题跋资料:

主题:

主要主题：山水夜景（月景）月景主要主题：建筑庭院 ；次要主题：建筑房舍 ；次要主题：树木杨柳 ；其他主题：山水  ；其他主题：树木竹 ；其他主题：花草  ；其他主题：器用扇羽扇；其他主题：器用香炉．火盆火炉；其他主题：器用文玩（琴棋书画）书画、如意；其他主题：器用花器花瓶；其他主题：器用饮食器茶杯、茶壶；其他主题：器用家俱（屏风）桌、椅、床机；其他主题：器用 拂尘；其他主题：建筑城墙墙；其他主题：建筑栏杆 ；其他主题：建筑池水 ；其他主题：山水奇石 

技法:

工笔 写意 皴法 人物衣纹描法(匀称线条) 苔点 

参考资料:

收藏着录： 盛京故宫书画录，第五册，页7b 收藏着录： 故宫书画录（卷八），第四册，页177 收藏着录： 故宫书画图录，第九册，页291-292 内容简介（中文）： 郭纯（西元一三七０－一四四四年），永嘉（今浙江温州）人，字文通，号朴庵，后以明成祖所赐「纯」著名。永乐初入宫，赐之营缮所丞职称，仁宗即位被封西华门待诏，后又升阁门使，宣德时为锦衣卫镇抚。 水滨柳下，设蓆棚，宾主坐谈，主人持羽扇，客着纱巾。童子三人，一煎茶水际，一执蝇拂立客人后，与捧食盒者若有所语。山石皴法是元代盛懋（约活动于十四世纪前半叶）风格，工力不弱。屋宇偶有误笔，盖不工界画。 内容简介（英文）： Kuo Ch’un (style name Wen-t’ung and sobriquet P’u-an) was a native of Yung-chia (modern Wen-chou, Chekiang) who was bestowed with the name Ch’un (meaning “purity”) by the Yung-lo emperor (r. 1403-1424). In the early part of his reign, Kuo entered the court and was awarded a position in the Work Project Office. During the reign of Emperor Jen-tsung (r. 1425), he was promoted to Painter-in-Attendance at the Hsi-hua Gate. Later, he was further promoted to Audience Officer, and finally under Hsuan-tsung became Judge of the Imperial Bodyguard. In this painting of willows by the waterside is a thatched hut in which figures sit and chat. The host holds a fan while the guests wear silken caps. Among the three attendants, one is brewing tea, another holds a flywhisk behind, and the other is with a food container. The landscape texture strokes are in the style of Sheng Mou (fl. ca. 1310-1360) and done quite successfully. The awkward lines of the building indicate that the artist was not gifted at ruled-line painting.