书体:

楷书

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

乐毅论。夏侯泰初。世人多以乐毅不时拔莒。即墨(为劣)。(是以叙而)论之。夫求古贤之意。宜以大者远者先之。(必迂回)而难通。然后已焉可也。今乐氏之趣。或者(其)未尽乎。而多劣之。是使前贤失指于将来。不亦惜哉。观乐生遗燕惠王书。其殆庶乎机合乎道以终始者与。其喻昭王曰。伊尹放大甲而不疑。大甲受放而不怨。是存大业于至公。而以天下为心者也。夫欲极道之量。务以天下为心者。必致其主于盛隆。合其趣于先王。苟君臣同符。斯大业定矣。于斯时也。乐生之志。千载一遇也。亦将行千载一隆之道。岂其局蹟当时。止于兼并而已哉。夫兼并者。非乐生之所屑。彊燕而癈道。又非乐生之所求也。不屑苟得。则心无近事。不求小成。斯意兼天下者也。则举齐之事。所以运其机而动四海也。夫讨齐以明燕主之义。此兵不兴于为利矣。围城而害不加于百姓。此仁心着于遐迩矣。举国不谍其切。除暴不以威力。此至德（全于）天下矣。迈全德以率列国。则几于汤(武之事矣。乐生方)恢大纲。以纵二城。牧民明(信。以待其弊。使即墨莒)人。顾仇其上。愿释干(戈。赖我犹亲。善守之智。无所之)施。然则求(仁得仁。即墨大夫之义也。任穷则)从微子适(周之道也。开弥广之路。以待田单之)徒。长容(善之风。以申齐士之志。使夫忠者遂)节。通者(以下阙)

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题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第六册，页2790-2795 内容简介（中文）： 摹刻晋唐小楷盛行于宋，以南宋初越州石邦哲所刊最着。学者多认为清李宗瀚藏〈晋唐小楷册〉拓自石氏原刻，较之院藏相同诸帖，特征相符。〈乐毅论〉雍容和雅，笔画精妙，字势逸宕。〈孝女曹娥碑〉结字扁平有隶意，具古朴天真之趣。〈力命帖〉用笔简朴，结体宽博，饶富古意。〈王羲之临魏锺繇丙舍帖〉点画娴雅生动，饶有天趣。后二帖未见收于李宗瀚藏本，然精妙处不减传世诸佳本。(20120104) 内容简介（英文）： Copying and engraving Jin and Tang small regular script was popular in the Song, with early Southern Song versions of Shi Bangzhe in Yuezhou the most famous. Many scholars feel that “Album of Jin and Tang Small Regular Script” in the Qing collection of Li Zonghan is a rubbing from Shi’s original engraving. Compared to Museum works, its features agree well. “Yueyi Discourse” has elegant, dignified fine strokes and leisurely characters. “Filial Lady Cao E’s Stele” has flat characters and simple clerical innocence. “Liming,” with simple brushwork, has broad characters of rich archaism. “Wang Xizhi’s Copy of Zhong You’s ‘Bingshe’” has strokes graceful and lively. The latter two, not in Li Zonghan’s version, are no worse than other fine surviving works.(20120104) 网页展示说明 摹刻晋唐小楷盛行于宋，以南宋初越州石邦哲所刊最着。学者多认为清李宗瀚藏〈晋唐帖十一种〉拓自石氏原石，较之院藏相同诸帖，特征相符。〈乐毅论〉雍容和雅，笔画精妙，字势逸宕。〈孝女曹娥碑〉结字扁平有隶意，具古朴天真之趣。〈力命帖〉用笔简朴，结体宽博，饶富古意。〈王羲之临魏锺繇丙舍帖〉点画娴雅生动，饶有天趣。后二帖未见收于李宗瀚藏本，然精妙处不减传世诸佳本。(20120104) 网页展示说明 The copying and engraving Jin and Tang dynasty small regular script was popular in the Song dynasty, with early Southern Song versions by Shi Bangzhe in Yuezhou being the most famous. Many scholars feel that "Album of Jin and Tang Small Regular Script" in the Qing dynasty collection of Li Zonghan is a rubbing from Shi's original engraving. Compared to works in the National Palace Museum collection, its features agree well. "Yueyi Discourse," for example, has elegant and dignified fine strokes with leisurely characters. "Filial Lady Cao E's Stele" features flat characters and simple innocence like that of clerical script. "Liming," with its simple brushwork, has expansive characters of rich archaism. "Wang Xizhi's Copy of Zhong You's 'Bingshe'" is characterized by strokes that are graceful and lively. The latter two, not in Li Zonghan's version, are no worse than other fine surviving works.(20120104) 网页展示说明 宋代には晋唐时代の小楷の模刻が盛んに行われ、南宋初期越州石刻哲刊行のものが最も知られている。清代の李宗瀚が所蔵した「晋唐帖十一种」の原石は石氏のものだと考えられており、本院所蔵の同様の法帖と比べると、その特徴が一致する。「楽谷论」はゆったりとした中に趣深さが感じられる。笔画は精妙で、字势には伸びやかな感がある。「孝女曹娥碑」の扁平な结字には隷意があり、古朴な趣を湛えている。「力命帖」の用笔は简洁素朴な风があり、结体は大きく古意に満ちている。「王羲之临魏锺繇丙舍帖」は点画に优美さが漂い、自然な情趣に富んでいる。后者二帖は李宗瀚収蔵品ではないが、精妙な点は伝世の良作に劣らない。(20120104)