书体:

行楷书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

化须疏。有序。兹因赵鸣玉髠然无须。姚道存为之告助于周宗道者。于其于思之间。分取十鬛。补诸不足。请沈启南作疏以劝之。疏曰。伏以天阉之有刺。地角之不毛。须需同音。令其可索有无。以义古所相通。非妄意以干。廼因人而擧。康乐着舎施之迹。崔谌传插种之方。惟小子十茎之敢分。岂先生一毫之不拔。推有馀以补也。宗道广及物之仁。乞诸邻而与之。存道有成人之美。使离离缘皮而饬我。当榾榾击地以拜君。把镜生欢。顿觉风标之异。临河照影。便看相貌之全。未容轻拂于染羮。岂敢易撚于覔句。感矣荷矣。珍之重之。敬疏。化缘生沈周识。

印记资料:

作者印记：启南
作者印记：石田
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：神物护持
收传印记：留耕堂印
收传印记：卧菴所藏
收传印记：卧菴（重二）
收传印记：休宁朱之赤珍藏图书

题跋资料:

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷一），第一册，页98。 收藏着录： 石渠宝笈初编（御书房），下册，页936。 参考书目： 1.江兆申，〈沈周书化须疏　卷〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页297。2.何传馨，〈帝国的回忆　国立故宫博物院瑰宝赴法展专辑二 — 沈周化须疏〉，《故宫文物月刊》，第186期（1998年9月），页12-15。 内容简介（中文）： 沈周（西元一四二七－一五０九年），长洲（江苏苏州）人。字启南，号石田，自称白石翁。为人宽厚有大度，能诗文，工书法，善绘画。书法黄庭坚，遒劲奇崛。山水少承家法，凡宋元名手，皆能变化出入。沈周的朋友赵鸣玉老而无须，另一位朋友姚存道为此求助于周宗道，请分须十茎给赵鸣玉，由沈周执笔为化募之文。该卷以行书大字写成，笔法沉着稳健，体势挺拔，纵横舒展，与黄庭坚相似，风格浑厚，自成一格。(20091015) 内容简介（英文）： Shen Zhou (style name Qinan; sobriquet Shitian) was from Changzhou (modern Suzhou, Jiangsu). He was magnanimous and gifted at poetry, painting, and calligraphy. In the latter, he studied Huang Tingjian’s style for a unique, powerful slant. In landscapes, he followed his family in learning Song and Yuan styles to form his own. Shen’s friend, Zhao Mingyu, was old but did not have a beard. When Yao Cundao heard of it, he asked Zhou Zongdao (who had a full beard) to help by giving him ten whiskers. Shen Zhou lent his support with this handscroll done in large running script. The brush is penetrating yet stable, the characters upright and well-spaced. The style resembles Huang Tingjian’s, but with Shen’s own slightly heavier mannerism.(20091015) 研究性论着： 沈周（1427--1509）字启南，号石田，苏州长洲县（今江苏省吴县）人。出于家境宽裕，爱好文艺的家庭，终生未曾服公职。他学识广博，诗词、散文、绘画、书法都有很深的造诣，为十五世纪苏州艺坛的领袖。沈周的友人赵鸣玉缺少胡子，姚存道请沈周作〈化须疏〉，向美髯公周宗道求助，分给赵鸣玉十支，以补不足。这是一篇谐谑的文章，可以看出当时苏州文人间轻松幽默的一面。不过沈周仍然煞有介事的引经据典，大作文章，而且以端庄的大行楷书之，亦庄亦谐，令人莞薾。沈周不以书名，书法对他来说，和诗文绘画一样，只是传达个人情感，抒发怀抱的媒介之一。书体上，中年以后，偏好宋代文人书家黄庭坚（1045--1105）的行书，尤其夸张黄体向左右伸展的撇捺笔趣。此卷约五十七岁书，长波大撇，运笔如鼓楪奋进，挺健而顽涩，王鏊（1450--1524）评其书，有「倔傲之气」，（注）此卷可见一斑。结体与行间较黄庭坚端整，撇捺锋势较显著，此是明代一时风气，他的弟子文征明继承其法，加以腴润，另谋新貌。（何传馨） Shen Chou (style name Ch'i-nan, sobriquets Shih-t'ien and Pai-shih weng) was a native of Ch'ang-chou (modern Suchou, Kiangsu). The son of Shen Chen-chi (1409-1477), Shen Chou was an artist of many talents, gifted at poetry, prose, and calligraphy, as well as painting. His calligraphy followed in the style of Huang T'ing-chien (1045-1105), with its bold yet unusual style. In landscapes, he followed in the family style at first, but later was able to transform the manners of the Sung and Yuan masters to create a style of his own. When a friend of Shen Chou, Chao Ming-yu, reached old age, he had not yet grown a beard. When Yao Ts'un-tao heard of the situation, he asked Chou Tsung-tao, who had a full beard of his own, to help Chao by giving him ten bristles. Shen Chou lent his support by this piece. This handscroll was calligraphed in large characters of running script. The brushwork is penetrating yet stable, the characters upright and well-spaced. The style resembles that of Huang T'ing-chien, but Shen's is slightly heavier with his own mannerisms.