书体:

草书

色彩:

装裱形式:

卷

创作时间:

明世宗嘉靖七年（1528）

文字类型:

汉文

质地:

本幅纸

释文:

五忆歌。有序。丙戌病暑。城居如甑。伏枕书空。游神六合。戏作五忆之歌。以解烦蒸。亦犹执热者之思濯乎。（第一则）我所忆兮匡庐泉。飞空直下香炉巅。银河为源彭蠡委。万古腾沸东南天。左潨右射五老却。褰裳濡足愁攀缘。厓倾石走霹雳鬪。枯藤怪树虬龙悬。丹青洗出屏风叠。跳珠溅玉声锵然。谁能置我巖石间。仰面落雪水底眠。酒酣戏作五里雾。山精啸雨空中旋。呜呼我歌兮歌始放。九江茫茫日在望。（第二则）其二。我所忆兮泰山松。秦皇避雨驻六龙。根如铁石皮青铜。千秋万岁枝蒙茸。曈曈挂日扶桑小。隐隐参天翠黛浓。鸾雏凤鷇不知数。和鸣下上如笙镛。涛声直与东海应。绝顶正见蓬莱峯。金膏玉液散入地。茯苓芝草生隆冬。采而食之可不死。云车何日来相从。呜呼我歌兮歌正长。黄河日暮流汤汤。（第三则）其三。我所忆兮峨嵋雪。六月阴厓冻欲裂。僊人赤脚翠巖行。鹤氅飘飘玉光洁。回飚散吹五溪去。落絮飞花满城阙。滴博蓬婆西海头。阴风惨澹旌竿折。万里黄云凝不流。层冰皑皑冬夏结。我思仗剑游其巅。石栈天梯殊斗绝。六龙回日不敢过。寒光澟洌千丈铁。呜呼我歌兮歌益豪。太白不动金天高。（第四则）其四。我所忆兮渭川竹。大泽深山千亩绿。氤氲上接函关云。离奇错峙蓝田玉。翠凤葳蕤振其羽。苍龙夭矫羣相逐。哀壑阴森白日寒。长林高下青山矗。野老都迷钓玉谿。山人失却王官谷。石上虫书绣古苔。空中匹练悬飞瀑。安得清狂似子猷。挟策西行骑两鹿。呜呼我歌兮歌且舞。长袖褊褼隘环堵。（第五则）其五。我所忆兮黄鹤楼。潇湘洞庭生素秋。登高决眦极万里。烈风震荡无时休。九疑连緜似屏障。白日黤惨苍云愁。东攀若木枝巃嵸。西望雪岭寒飕飗。朱帘绣柱九天上。倒影却射沧江流。僊人坐弄紫玉笛。往往飞花鹦鹉洲。青莲居士莫搥碎。便须纵饮成糟丘。呜呼我歌兮歌愈急。鸿鹄冥冥楚天碧。往岁作此歌。戊子（西元一五二八年）夏五。与明卿燕于钱氏有斐堂。新暑作毒。挥汗成雨。眇然有江海之思。遂书此以赠。雅宜子王宠。

印记资料:

鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝
收传印记：徐坚曾观
收传印记：毕沅祕藏
收传印记：梅林潘氏家藏

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页1946。 收藏着录： 故宫书画录（卷一），第一册，页122。 参考书目： 1.许郭璜，〈明王宠自书五忆歌〉，收入许郭璜主编，《王宠书法特展图录》（台北：国立故宫博物院，1992年七月初版一刷），页129。 内容简介（中文）： 王宠（西元一四九四－一五三三年），长洲（今江苏苏州）人。字履仁，又字履吉，号雅宜山人。与兄王守从学于文征明与蔡羽。工诗文，书学王献之、虞世南。与祝允明、文征明同被誉为「吴中三家」。此幅书于金粟山藏经纸上，纸之质地坚硬，特能表现出王宠起伏顿按、急遽有力的笔法。履吉善用拗笔，笔调硬拙峻拔，韵味独特。书此作年方三十五岁，而笔意间流露的风采，淹有大家气度。 内容简介（英文）： Wang Ch’ung, a native of Soochow, studied with his brother Wang Shou under Wen Cheng-ming and Ts’ai Yü. Wang Ch’ung excelled at poetry and prose, and his calligraphy followed the ancient styles of Wang Hsien-chih and Yü Shih-nan. Wang is known along with Chu Yün-ming and Wen Cheng-ming as the “Three Talents of Soochow.”These poems were written on sutra paper from Mt. Chin-su. The paper texture is stiff and capable of revealing Wang’s quick and forceful brushwork as well as the areas where he lifted and pressed the brush. Wang’s brushwork has a sturdy and slightly awkward effect to give his calligraphy a unique, rhythmic quality. This work done at Wang’s nominal age of 35 has the air of a great calligrapher. 网页展示说明 王宠（1494－1533），长洲（今江苏苏州）人。字履仁，又字履吉，号雅宜山人。他的父亲王贞虽然是一位商人，但好收古器物和书画自娱。在父亲的影响下，王宠和他的兄长王守都跟从文征明（1470－1599）和蔡羽学习书法，也擅长诗文。他的书法学王献之（344－386）、虞世南（558－638）。与祝允明（1460－1526）、文征明同被誉为「吴中三家」。 这件书卷是一幅行草书的作品，恣肆纵逸，神彩飞扬。王宠下笔硬挺，只有在转笔的地方稍微圆润一些，所以笔调硬拙峻拔。虽然这是一件今草的作品，但几乎字字独立，字迹又带有章草的笔意，如书卷中的「眠」、「泰」、「裂」等字的捺笔收尾都还保存了隶书的韵致。这件书法是王宠三十五岁的作品，写在质地坚硬的金粟山藏经纸上，更能将王宠起伏顿按、急遽有力的笔法特色表现出来，是他传世的一件精品。 网页展示说明 Wang Ch'ung, a native of Soochow, was the son the merchant Wang Chen, who also collected antiquities as well as painting and calligraphy. Influenced by his father, Wang Ch'ung studied with his brother under Wen Cheng-ming (1470-1559) and Ts'ai Yu, excelling at poetry and prose. His calligraphy followed the style of Wang Hsien-chih (344-386) and Yu Shih-nan (558-638). Wang is known along with Chu Yun-ming and Wen Cheng-ming as one of the "Three Talents of Soochow." This is a handscroll of semi-cursive calligraphy that flies and darts across the paper. Wang's application of the brush was somewhat stiff, with only the turns of the brush being slightly softer, giving a slightly harsh yet archaic effect. Although in modern cursive, the characters in this work are practically independent with a sense of draft cursive. The individual strokes of some characters also suggest a touch of clerical script. These poems were done at the age of 35 and written on stiff sutra paper from Mt. Chin-su, which reveals Wang's quick and forceful brushwork as well as the areas where he lifted and pressed the brush. This work is one of the best surviving ones by Wang Ch'ung.