书体:

行书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

至顺初。集奉诏撰蒋山寺碑。且命之书。文成进入御前。颇有更定。本遂留中。集盖不知未付外也。三年夏。扈从上都。上问久不立碑之故。始知其文犹留阁下。亟取以授尚书王公。未几鼎（阙一字）天堕矣。集乃识其后云。此本经御览者。明年。集以老病去国。不及书。元统甲戌二月。蒋山主人始遣一公藏主来临川山中求书。集目力愈困。已不复能执笔。感遇兴怀。勉彊作字。以复蒋山。殊恐不中也。藏主归欲赠言。因随赋数句如下云。昔礼岩中诺讵罗。愿香犹在石盘陀。上人几岁离金雁。海月江云弄碧波。一公汉州人。故宋时。集先世多尝守汉。最后曾（阙二字）开国守郡。祷于尊者。得祕监叔祖小字曰汉。实（阙二字）今百一十年矣。延祐丙辰。集过金鴈。欲礼诺公。以王事不果留。今亦廿年矣。优钵昙华一度开。梵天帝释手拈来。人间讚歎那能尽。惭愧文殊大辩才。奉寄昙芳笑隐二公（八字双行注）。文成进入金銮殿。（阙一字）幸亲承点定馀。小草几年怀宿雨。不辞拙笔不中书。（阙三字）。时春雨多。锺山归已及清和。若有乡（阙四字）庐山江上一渔蓑。仙井虞集（阙四字）。少尘事。思公昔共两青藜（阙三字）。人相忆否。风雨扁舟觅旧题。寄吴郡郭开元光公乡友。

印记资料:

作者印记：青城山樵者
作者印记：虞集

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第六册，页2698 收藏着录： 故宫书画录（卷一），第一册，页148-152 内容简介（中文）： 虞集（西元一二七二－一三四八年），四川仁寿人。字伯生，虞允文五世孙。大德（一二九七－一三0六年）初，授大都路儒学教授，屡迁至奎章阁学士，封仁寿郡公。集学问博给，早岁闢二室读书，左室书陶渊明诗于壁，题曰陶庵，右室书绍尧夫诗，题曰邵庵，故世称邵庵先生。书史称其书真、行、草、篆皆有法度，古隶为当代第一。本幅行书尺牍，结字偏长，行笔秀健，近唐大家虞世南之风。虞集传世墨迹极少，此牍弥足珍贵。 内容简介（中文）： 虞集（西元一二七二－一三四八年），字伯生，号邵庵，四川仁寿人，虞允文五世孙。成宗大德六年（一三0二），授大都路儒学教授，文宗天历元年（一三二八）官至奎章阁侍书学士，封仁寿郡公。书史称其真、行、草、篆皆有法度，古隶为当代第一。虞集传世墨迹极少，本幅行书致吴郡友人，谈及至顺初（一三三０）书「蒋山寺碑」事蹟，雍容秀健，显现晋唐人典雅的风度。(20121017) 内容简介（英文）： Yu Ji (style name Bosheng, sobriquet Shao’an) was a native of Renshou, Sichuan, and a fifth-generation descendant of Yu Yunwen. In 1203 he was appointed as Instructor at the Confucian School in the Dadu Circuit and served as Calligrapher-Academician of the Kuizhang Pavilion, being enfoeffed as Duke of Renshou. Calligraphy histories state that his regular, running, cursive, and seal scripts all followed the norms, his archaic clerical ranked first in his day. Very few of Yu Ji’s calligraphic works have survived. This letter in running script was written to a friend in Wu and discusses the matter of the “Jiangshan Temple Stele” written in 1330. Composed yet elegant, the calligraphy reveals classic Jin and Tang dynasty manners. (20121017) 内容简介（英文）： Yu Chi (style name Po-sheng) was a native of Jen-shou, Szechwan, and a fifth generation descendent of Yu Yun-wen. In the beginning of the Ta-te era (1297-1306), he was a professor in a Metropolitan Route Command Confucian school and was later on transferred to be an Academician in the Hall of Literature. He was also enfeoffed as Commandery Duke of Jen-shou. Vastly knowledgeable, Yu constructed two studying rooms in his early years. In the right room he wrote T’ao Yuan-ming poems on the wall; therrfore, it was called T’ao-an. In the left room Yu wrote Shao Yao-fu poems on the wall; thus it was called Shao-an. Calligraphy histories record that his standard, semi-cursive, cursive, and seal scripts all followed principles of calligraphy. His clerical script was ranked as the first of his time. This letter is in the semi-cursive script. The slightly long form of the characters and elegant and vigorous brushwork closely resemble the calligraphy style of the T’ang master Yu Shih-nan (558-638). There are few extant works by Yu, making this letter a valuable treasure.