书体:

行书

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

襄启。暑热。不及通谒。所苦想已平复。日夕风日酷烦。无处可避。人生缰锁如此。可歎可歎。精茶数片。不一不一。襄上。公谨左右。牯犀作子一副。可直几何。欲讬一观。卖者要百五十千。

印记资料:

收传印记：黄琳美之
收传印记：琳印
收传印记：神品（重一）
收传印记：净因菴
收传印记：珍秘（半印）
收传印记：项墨林父祕笈之印
收传印记：寄傲
收传印记：子京父印（重一）
收传印记：墨林祕玩
收传印记：六艺之圃
收传印记：子孙世昌（重一。一半印）
收传印记：项元汴印（重一）
收传印记：檇李项氏士家宝玩
收传印记：元汴
收传印记：项墨林鑑赏章
收传印记：仪周鑑赏
收传印记：陈定
收传印记：和叔
收传印记：（二印不辨）

题跋资料:

题跋类别：题签； 裱纸  宋蔡君谟暑热春初二帖。

主题:

技法:

参考资料:

收藏着录： 石渠宝笈续编（养心殿），第二册，页1097 收藏着录： 故宫书画录（第三卷），第一册，页141 收藏着录： 故宫历代法书全集，第十一册，页4-37、186-193 参考书目： 1.曹宝麟，〈蔡襄致公谨三帖考 之 暑热帖〉，《故宫文物月刊》，第129期（1993年12月），页96-107。2.〈致公谨尺牍(暑热帖)〉，收入何传馨、陈阶晋、何炎泉编，《故宫法书新编 （八）　宋 蔡襄墨蹟》（台北：国立故宫博物院，2011年九月初版一刷），页30-32。 内容简介（中文）： 蔡襄（西元一０一二－一０六七年），福建仙游人，字君谟。天圣八年（一０三０）中进士，一生仕途顺利，累官谏院，直史馆。性忠正，工诗文，善书法。蔡襄书法初学周越，后出入颜真卿、虞世南、王献之，行、楷书简札典雅秀丽。此帖又称〈暑热帖〉或〈精茶帖〉。结体大小、重轻、疏密，皆随兴所至，潇洒流利，线条顿挫转折粗细变化较大，别开新意。选自《宋四家墨宝册》第三开。(20091015) 内容简介（中文）： 蔡襄（西元一０一二－一０六七年），福建仙游人，字君谟。天圣八年（一０三０）中进士，一生仕途顺利，累官谏院，直史馆。性忠正，工诗文，善书法。蔡襄书法初学周越，后出入颜真卿、虞世南、王献之，行、楷书简札典雅秀丽。此帖又称〈暑热帖〉或〈精茶帖〉。结体大小、重轻、疏密，皆随兴所至，潇洒流利，线条顿挫转折粗细变化较大，别开新意。选自《宋四家墨宝册》第三开。(20110913) 内容简介（英文）： Cai Xiang (style name Junmo) was a native of Xianyou in Fujian. A Presented Scholar of 1030, his career in office went smoothly as he served up to posts in the Censorate and Historiography Institute. Loyal and upright by nature, he was gifted at poetry and prose while excelling at calligraphy. Cai first studied the style of Zhou Yue but later included the manners of Yan Zhenqing, Yu Shinan, and Wang Xianzhi. Cai’s letters in running and regular script are classical and beautiful. In this letter (also known as “Summer Heat” or “Refined Tea”), the character size and heaviness and density all rise and fall with his emotions, being casual and flowing. The rhythm of the lines and their turns vary in terms of thickness, creating an individual manner. This is the third leaf from “Ink Treasures by the Four Song Masters.”(20110913) 内容简介（英文）： Cai Xiang was a native of Xianyou, Fujian. A Presented Scholar (jinshi) of 1030, he smoothly served up to the Censorate and Historiography Institute. Loyal and upright by nature, he was gifted at poetry and prose while excelling at calligraphy. He first studied the style of Zhou Yue but later included those of Yan Zhenqing, Yu Shinan, and Wang Xianzhi. Cai’s letters in running and standard script are classical and beautiful. In this letter (also known as “Summer Heat” or “Refined Tea”), the character size and the heaviness and density all rise and fall with emotion, being casual and flowing. The rhythm of the lines and their turns varies in terms of thickness, creating an individual manner. This is the 3rd leaf from “Ink Treasures by the Four Song Masters.”(20091015)