书体:

行书

色彩:

装裱形式:

册(折装)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

当阳张中叔。去年腊月寄山预来。留荆南久之。四月馀乃到沙头。取视之。萌芽森然有盈尺者。意皆可弃。小儿辈请试煮食之。乃大好。盖与发芽小豆同灋。物理不可尽如此。今之论人材者。用其所知而轻弃人。可胜歎哉。

印记资料:

鑑藏宝玺：体元
收传印记：双龙
收传印记：司印（半印）
收传印记：笪在辛
收传印记：笪重光印
收传印记：重光（半印）
收传印记：江上笪氏图书印
收传印记：张应甲印
收传印记：希逸氏
收传印记：清鉴堂图书印

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页709 收藏着录： 故宫书画录（卷三），第一册，页151 收藏着录： 故宫历代法书全集，第十一册，页66-87、196-198 内容简介（中文）： 黄庭坚（1045--1105）字鲁直，号涪翁，江西分宁人。与张耒、晁补之、秦观同游苏轼门，世称「苏门四学士」。书法渊源多种，主要受颜真卿、苏轼和南朝刻石〈瘗鹤铭〉影响，发展出结字欹侧，左右开展的书风。此作虽为小字，仍可看到黄书成熟期以后的特点。文中以原欲丢弃之发芽山预（山芋），试煮后却风味甚好，来比喻人材不可轻弃之理。本幅选自「宋四家集册」。(20100102) 内容简介（英文）： Huang Tingjian was a native of Fenning, Jiangxi. A famous litterateur and calligrapher of the Northern Song, he was a student of Su Shi along with Zhang Lei, Zhao Buzhi, and Qin Guan known as the “Four Disciples of Su.” Studying a wide range of calligraphy, he was most influenced by the styles of Yan Zhenqing, Su Shi, and a Southern Dynasties engraving (“Yihe Inscription”) to form his slanted style of characters from left to right. Despite the small characters here, we still see features of his late mature style. The contents mention sweet potatoes gone to sprout and to be thrown out, but found to be tasty only after cooking. It is a metaphor for not discarding a man of talent so readily. This is from the album “Collection of the Four Song Masters.”(20100102)