书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢诗塘纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：宁寿宫续入石渠宝笈
鑑藏宝玺：乐寿堂鉴藏宝
鑑藏宝玺：古希天子
鑑藏宝玺：寿
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鉴玺
收传印记：缉熙殿宝
收传印记：司印（半印）
收传印记：安仪周家珍藏
收传印记：思原堂
收传印记：麓屯
收传印记：扫花庵
收传印记：太原王逊之氏收藏图书
收传印记：（二印不可辨）

题跋资料:

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：戊辰新秋月。御题。；书体：行书；全文：画雪难画寒。留白谁不晓。高张三伙间。肌粟生多少。缬枝饶冷英。绕树断归鸟。迷目尚皑皑。澂怀自了了。朔景故凄其。而胡灞陵道。戊辰新秋月。御题。印记：惟精惟一、乾隆宸翰

题跋类别：题跋；作者：清高宗诗塘 ；书体：行书；全文：玩其林峦皴法。与王维雪溪。同一神妙。印记：乾隆宸翰、知仁山水德

题跋类别：题跋；作者：董其昌诗塘 ；书体：行书；全文：巨然雪图。董其昌鉴定。印记：宗伯学士、董玄宰氏签清高宗   僧巨然雪图真蹟。神品。印记：内府珍藏、乾隆宸翰

主题:

主要主题：山水冬景（雪景） ；其他主题：山水江河、湖海 ；其他主题：山水瀑布 ；其他主题：树木松 ；其他主题：树木寒林．枯树 ；其他主题：走兽骡．驴 ；其他主题：人物樵夫 ；其他主题：人物侍从（侍女、童仆） ；其他主题：人物行旅 ；其他主题：建筑房舍 ；其他主题：建筑桥 ；其他主题：建筑寺庙 

技法:

皴法披麻皴

参考资料:

收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2653 收藏着录： 故宫书画录（卷五），第三册，页22-23 收藏着录： 故宫书画图录，第一册，页89-90 参考书目： 1.许郭璜，〈传五代南唐巨然雪图〉，收入《李郭山水画系特展》（台北：国立故宫博物院，1999年初版），页9-14。2.王耀庭，〈五代南唐巨然雪图〉，收入王耀庭主编，《传移模写》（台北：国立故宫博物院，2007年初版），页56。3.林莉娜，〈五代南唐巨然雪图〉，收入林莉娜、张华芝编，《冬景山水画特展图录》（台北：国立故宫博物院，1989年元月初版），页54-55。4.傅申，〈巨然存世画蹟之比较研究〉，《故宫季刊》，第二第二期（1967年十月)，51-79。 内容简介（中文）： 巨然（活动于西元十世纪后期），江南人。南唐时为开元寺僧，南唐亡后（西元九七五年），巨然随后主李煜至汴梁。工画山水，祖述董源，臻于妙境。荆关董巨，并称大家。坡陀野水，渐成峡谷。寺宇半露，背山崒嵂特起，雄伟之甚。溪桥山道之间，行旅三人，冒风雪而行。烘染尽法，故觉其厚；夷险得势，故觉其雄。 内容简介（中文）： 雪复满大地，峡谷中半露寺宇，背后崇山高起，山势雄伟。溪桥山道之间，行旅三人，冒风雪而行。以墨烘染法，画出水天，反衬出雪白，大地空旷，枯树摇舞，倍觉一派袭人寒意。画上无作者款印，诗塘上有明代书画家及鑑赏家董其昌题，鑑定为活动于十世纪南唐至北宋初的江南画家巨然所作。近代学者研究，可能是宋徽宗朝一位学李成的画家冯觐的作品，也有认为是元代画家所作。 内容简介（英文）： A blanket of snow covers the scene with a temple behind a slope at the middle right. Majestic mountains rise in the background. Three figures braving the cold and snow appear on a path towards the temple, with the two behind having just crossed a small bridge over a stream. The sky and water were washed in ink to leave the blank areas as snow, creating a dark and wintry scene punctuated by the craggy trees and sparse mountains. This work bears no seal or signature of the artist, but Tung Ch’i-ch'ang (the famed connoisseur-artist of the Ming) inscribed it as by the 10th-century artist Chü-jan. Modern scholarship, however, suggests it was either painted by Feng Kuan, a follower of Li Ch'eng under Emperor Hui-tsung, or by a Yüan (1279-1368) artist. 内容简介（英文）： A blanket of snow covers the scene with a temple behind a slope at the middle right. Majestic mountains rise in the background. Three figures braving the cold and snow appears on a path towards the temple, with the two behind having just crossed a small bridge over a stream. The sky and water were washed in ink to leave the blank areas as snow, creating a dark and wintry scene punctuated by the craggy trees and sparse mountains. This work bears no seal or signature of the artist, but Tung Ch'i-ch'ang (the famed connoisseur-artist of the Ming) inscribed it as by the 10th-century artist Ch'an. Modern scholarship, however, suggests it was either painted by Feng Kuan, a follower of Li Ch'eng under Emperor Hui-tsung, or by a Y'an (1279-1368) artist. 网页展示说明 本幅据诗塘董其昌（1555？1636）的鑑定款题，定为五代巨然所作。巨然，南唐五代画家，南唐亡为开元寺僧，工画山水，以披麻皴描绘江南景物，画风平淡天真。 本幅构图大致可分为三景，主山双峰屏立，雄巖峻险，表现出奇峰积雪霭霭幽深的北地景致，俨然具有北宋气度，而两侧锯齿状的岩块，看似突兀奇倨，但却有增强画作张力的视觉效果。中景楼阁隐现山石间，客旅行于山径上，近景则画河岸两侧，枯枝树石。山石皴法及造型似从披麻、捲云皴而来，林木方面，松针尖挺，枯枝似郭熙蟹爪，但运笔布墨极具画家个人的特质。笔法与巨然平淡天真的江南风格有别，可能是宋人宗法李成风格之作。 网页展示说明 A blanket of snow covers the scene with a temple behind a slope at the middle right. Majestic mountains rise in the background. Three figures braving the cold and snow appear on a path towards the temple, with the two behind having just crossed a small bridge over a stream. The sky and water were washed in ink to leave the blank areas as snow, creating a dark and wintry scene punctuated by the craggy trees and sparse mountains. This work bears no seal or signature of the artist, but Tung Ch'i-ch'ang (the famed connoisseur-artist of the Ming) inscribed it as by the 10th-century artist Chu-jan. Modern scholarship, however, suggests it was either painted by Feng Kuan, a follower of Li Ch'eng under Emperor Hui-tsung, or by a Yuan (1279-1368) artist.