书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：孙承泽
收传印记：北平孙氏
收传印记：棠村审定
收传印记：蕉林

题跋资料:

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：无；书体：行书；全文：柳阴高士若为高。放浪形骸意自豪。设问伊人何姓氏。于唐为李晋为陶。丁亥春月御题。

主题:

主要主题：人物高士（士人、隐士） 主要主题：树木杨柳 ；其他主题：花草  ；其他主题：器用 兽皮垫；其他主题：器用饮食器水盘；其他主题：器用乐器 

技法:

参考资料:

收藏着录： 石渠宝笈初编（养心殿），页668 收藏着录： 故宫书画录（卷五），第三册，页138 收藏着录： 故宫书画图录，第三册，页69 参考书目： 1.王耀庭，〈宋人柳荫高士图〉，收入王耀庭编，《渊明逸致特展图录》（台北：国立故宫博物院，1988年初版），页92-93。2.王耀庭，〈宋人柳阴高士图〉，《故宫文物月刊》，第200期（1999年11月），页44。 内容简介（中文）： 柳荫下，一位士人袒胸露背，跣足而坐于豹皮之上，潇洒超脱，充满雅逸逍遥之趣。士人两眼有醺醺然之貌，故幅上乾隆题诗称这位高士不是唐的李白，就是晋的陶潜。由于陶潜曾作＜五柳先生传＞以自况，故而推断此人为陶潜的可能性较高。 本幅人物线条刚劲如铁丝，转折犀利。树干苍老，柳叶繁复，笔力稳健挺拔，多层皴染，使得画面蕴借厚润。全作绘制精谨，是一幅宋代佳作。 内容简介（中文）： 一翁坐柳下，荐以豹皮，上一卷一盏。此老袒衣跣足，葛巾前倾，双目凝视，醺醺然皿已醉矣。全幅皆用中锋，无一集笔，墨华精彩，笔力劲健。柳树?曲作ㄈ形，似在洞门中窥见，布景亦见匠心。 内容简介（英文）： A gentleman is seated on a leopard skin beneath a willow tree. A book and cup are at his side. His chest and feet are bare; his gauze hat has slipped forward on his head. Both eyes are staring, somewhat glazed, as if he were already drunk. The entire painting is executed with the point of the brush. The color of the ink is fine and brilliant; the strength of the brush is strong and vigorous. The curve of the willow tree creates the illusion that one is seeing the figure within a grotto. 内容简介（英文）： In the shade of a willow, a gentleman sits informally on a leopard skin with his upper body exposed. At ease, he strikes a pose of utter leisure. Appearing inebriated, the Ch'ien-lung Emperor (r.1736-1795) wrote in his poem on the work that if the figure is not Li Po, then it ought to be T'ao Yüan-ming. Since the wine-loving T'ao wrote the semi-autobiographical poem Master of the Five Willows, the man with a bowl under a willow could be him. The brushwork of the drapery is as solid as wire with decisive turns. The willow trunk shows its age and the leaves are intricate. The steady and firm brushwork is complemented by layers of washes and texture strokes, creating a rich yet refined sur-face to make this a masterpiece of Sung painting. 研究性论着： 这幅画论布局，论笔法、设色，均臻上乘。画中人物之猜测为谁﹖其理由是以前景中的柳树，以应陶渊明是「五柳先生」，再加以头上的巾子足以漉酒，渊明正是好酒之人。本幅从服饰及坐具、酒具，显然是画晋人，而无唐以后风俗。陶渊明出现的形象，基本上是一位「高士」，然而这个高士大致有两种面貌，一种是悠游山林的隐者，一种是醺醺醉矣的酒客。柳阴高士可能是现存画陶渊明醉醺醺的最早一幅画了。画中树下一翁，席以豹皮，前置一手卷、一盏酒，老翁袒胸赤足，头戴葛巾，双目凝神下视，实已醺醺然微醉矣。渊明坐前双脚处，席上置有盛酒之碗，酒盛九分满，沿上犹挂着一把勺子，碗与勺皆是外壁黑，内面朱，且其质薄，看来是漆器一类而非陶器。，从器皿及服饰的发展，画中人物是非唐而为晋。（王耀庭）