书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：石渠宝笈
收传印记：真赏
收传印记：琴书堂
收传印记：都尉耿信公书画之章
收传印记：公
收传印记：信公珍赏
收传印记：丹诚
收传印记：珍秘
收传印记：宜尔子孙
收传印记：汉川耿会侯书画之章

题跋资料:

主题:

主要主题：树木竹 ；次要主题：翎毛斑鸠珠颈斑鸠；其他主题：树木寒林．枯树枯枝；其他主题：花草荆枝 ；其他主题：花草芦苇 

技法:

工笔 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1155 收藏着录： 故宫书画录（卷五），第三册，页156-157 收藏着录： 故宫书画图录，第三册，页151 参考书目： 1.王耀庭，〈传宋人竹石鸠子图〉，收入王耀庭主编，《传移模写》（台北：国立故宫博物院，2007年初版），页92。2.谭怡令，〈宋人竹石鸠子图〉，收入谭怡令编，《画?珍禽》（台北：国立故宫博物院，1988年十月初版），页86-87。 内容简介（中文）： 坡石上茅叶荆棘小竹丛生。霜后郊原，半归枯搞。斑鸠五只，飞者如闻鼓翼之声，行者则神态安閒，怡然自得。通幅笔墨，劲挺中甚为朴质，大率宋人花鸟画，法度精严，形似逼肖，笔墨工整中，不失天机物趣，由此画足见一斑。 内容简介（中文）： 坡石上茅叶、荆棘、小竹丛生。霜后郊原，半归枯槁。斑鸠五只，飞者如闻鼓翼之声，行者则神态安閒，怡然自得。通幅笔墨，劲挺中甚为朴质。作者注重写生，不但仔细描写鸟羽层层叠复的变化，同时斑鸠的神情与动态，也都描绘得栩栩如生。大率宋人花鸟画，法度精严，形似逼肖，笔墨工整中，不失天机物趣，由此画足见一斑。(20110913) 内容简介（英文）： A flock of doves has settled on a rocky slope overgrown with brambles, leafy grasses, and small bamboo. After a frost has fallen on the plain, the vegetation is beginning to wither. Of the five doves, it is almost as if the sounds of those flapping their wings in flight can be heard as their companions strut contentedly and at ease along the ground. The use of brush and ink throughout this scroll conveys at once a sense of unyielding strength and utmost simplicity. In general, the artist focused on sketching from life, not only carefully rendering the variations to the overlapping feathers, but also conveying the spirit and movement of the doves, which are all rendered true to life. Song artists generally adhered to strict methods in bird-and-flower painting, achieving uncanny resemblance in terms of form. The careful and neat use of brush and ink also does not lack an understanding to the nature of things, a glimpse of which is seen in this painting.(20110913) 内容简介（英文）： A flock of doves has settled on a rocky slope overgrown with brambles, wild grasses, and bamboo. The first frost has already fallen on the plain, and the vegetation is beginning to wither and die. Two doves are flying, several of their companions strut contentedly along on the ground. The ink work of this large scroll conveys at once a sense of unbending strength and gentle simplicity. In general, when painting bird-flower paintings, Sung artists adhered to strict formal standards in order to achieve lifelike effects. Their carefully precise brushwork still managed to convey the natural qualities of their subjects. This scroll is but one example of this type of painting.