书体:
色彩:
水墨装裱形式:
轴创作时间:
元顺帝至元五年(1339)文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:郭畀;题跋位置:本幅;款识:云藏山外寺。雨暗树中屯。己卯(西元一三三九年)四月六日。京口郭天锡写高使君意。行书主题:
主要主题:山水夏景 主要主题:山水雨景 ;次要主题:树木松 ;次要主题:建筑寺庙 ;其他主题:建筑水榭 ;其他主题:建筑桥技法:
皴法米点皴皴法 苔点参考资料:
收藏着录: 石渠宝笈初编(御书房),下册,页1108 收藏着录: 故宫书画录(卷五),第三册,页187 收藏着录: 故宫书画图录,第四册,页185-186 内容简介(中文): 郭畀(一二八○—一三三五)字天钖,号云山,江苏丹徒人,官至江浙行省辟充掾史。工书画,书法出入赵孟頫,山水师法米芾,又善竹木窠石。此图写溪畔坡石高松,远山寺宇,云火因缭绕。山石用淡墨大笔渲染,加浓墨横点提醒,云火因金勾绘轮廓,这些都是从米家云山变化来的。纪年己卯为至元五年(一三三九),时郭畀已殁,故应为后人的仿作。 内容简介(英文): Kuo Pi (style name T'ien-hsi, and sobriquet; Yün-shan) was from Tan-t'u, Kiangsu. He served as a provincial-level official in Kiangsu and Chekiang. A noted calligrapher and painter, his calligraphy style developed from that of Chao Meng-fu (1254-1322). In landscape painting, he followed Mi Fu (1051-1107). Kuo also excelled at painting bamboo, trees, and rocks.Tall pines stand on the rocky slope of a stream and in the cloud-wrapped distant mountains lies a temple. A large brush has been used to apply the light ink washes of the mountains and rocks, to which have been added clearly defined oblique strokes in darker ink. The clouds are outlined in broad, swirling strokes. Kuo Pi adopted such techniques, with alterations, from those of Mi Fu. The date on the painting is 1339 - several years after Kuo Pi's death - and so this may be the work of a later artist.