书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

元顺帝至正元年（1341）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
收传印记：钱选之印

题跋资料:

题跋类别：作者款识；作者：张渥；题跋位置：本幅；款识：至正辛巳（西元一三四一年）良月既望作于习静斋。吴郡张渥叔厚。；书体：行书；全文： 印记：张渥、叔厚

主题:

主要主题：佛道人物神、仙西王母主要主题：人物高士（士人、隐士）东园公、用里先生、绮里季、夏黄主要主题：人物侍从（侍女、童仆）童仆主要主题：佛道人物佛道侍者女侍；次要主题：树木柏 ；其他主题：山水山径 ；其他主题：树木竹 ；其他主题：树木寒林．枯树 ；其他主题：器用文玩（琴棋书画）琴；其他主题：建筑栏杆 ；其他主题：果蔬桃子寿桃；其他主题：花草灵芝 ；其他主题：山水江河、湖海 ；其他主题：山水云 

技法:

工笔 写意 人物衣纹描法(匀称线条) 苔点 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页240 收藏着录： 故宫书画图录，第五册，页73-74 参考书目： 1.朱惠良，〈元张渥瑶池仙庆〉，《故宫文物月刊》，第19期（1984年10月），页119-120。 内容简介（中文）： 张渥，字叔厚，号贞期生、真閒生，浙江杭州人，活跃于西元十四世纪中期，工人物画，尤长于白描，常以道释人物为题材。本幅作于至正辛巳（西元一三四一年）。瑶池乃西王母之寓所，画中所绘当为群仙前往瑶池，为西王母祝寿之故事，有吉祥庆寿之寓意。幅上仙女捧寿桃、乘祥云，正自天际冉冉驾临，山巖下有老翁拱手相迎，童子亦鼓舞欢欣。对人物之描写生动轻灵，笔墨设色亦甚为淡雅秀丽。 内容简介（中文）： 张渥，字叔厚，号贞期生、真閒生，浙江杭州人，活跃于西元十四世纪中期，工人物画，以李公麟法作白描、或以浅设色道释人物，画风典雅。元代蒙古人崇信道教，瑶池乃西王母之寓所，画中所见女仙为西王母，头戴华冠、乘风驾云而来、侍女手捧仙桃，二人俯视商山四皓，其旁童子欢欣鼓舞，取长寿吉祥之意。画中人物，笔势轻灵生动，设色亦淡雅秀丽。此画作于至正辛巳（西元一三四一年）。(20120714) 内容简介（英文）： Zhang Wo (style name Shuhou, sobriquet Zhenqisheng) was a native of Hangzhou, Zhejiang. Good at figure painting, he used Li Gonglin’s method for Buddhist-Taoist figures in baimiao ink or with light colors, his style classically elegant. The Mongol Yuan rulers were followers of Taoism, and the Lake of Gems was said to be the residence of the Queen Mother of the West. This deity is shown here wearing an opulent crown and arriving on clouds with a female attendant holding the peach of immortality. The two look at the Four Elders of Shangshan, their attendants jubilant in this painting of longevity and auspiciousness. The figures are done with light and animated brushwork, the coloring also refined and beautifully elegant. This painting was done in 1341. (20120714) 内容简介（英文）： Chang Wo, a native of Hangchow, specialized in figure painting, especially Buddhist and Taoist subjects in the outline manner. This work was done in 1341. The Lake of Gems refers to the residence of the Queen Mother of the West, an important Taoist deity. This painting depicts a group of immortals at the Lake of Gems offering blessings to her-an auspicious allusion to long life. The female attendant accompanying her holds peaches of longevity, and they appear floating on auspicious clouds. Below, an old man clasps his hands in reverence as young attendants look up in amazement. The use of brush, ink, and coloring are all elegant and refined, especially in terms of representing the figures.