书体:
色彩:
浅设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：题跋；作者：倪瓒；题跋位置：本幅；款识：岁己亥五月十三日。东海生□瓒漫书。；书体：楷书；全文：东坡先生尝曰。一入荆溪。便觉意思豁然。欲买田其间种橘。作小亭。名以楚颂。卒不遂其志。杜樊川作水榭。正当荆溪之上。其遗址。僧结菴。□□至今历历可考见。盖荆溪山水之胜。善权□墨铜官诸山。岗垅之起伏。云霞之吞□。□□汇于其左。苕霅引于其前。凡仙佛之所宫。□□□流之所宅。殆是（是字点去）不可以计数也。觉轩王先生。□□潜德于其间。修天爵以恒贵。去人欲以求□。□子若孙。皆其（其字点去）循循雅饬。弗违先生志也。其（其字点去）曾□□同。静而有智。简而能文。与馀为姻契。□□知其义方之训。有自来矣。河之始达也。□滥觞焉。□□松柏。千尺之材。□□萌蘖之□。□其源远□本深耳。允同命馀友陈君惟□。绘为荆溪图。以示不忘乡都之意。它日指图□□某树也。吾□之所封植也。某丘也。吾父之所□登也。宁无□然有感于中乎。若允同之□举足话言。而不敢忘其祖若父者。非教之□素而能然哉。吾固知其中多隐君子。既乐□于一世。又能使其将来之未艾。盖其（其字点去）亦山川之锺□粹美。而致然乎。岁己亥五月十三日。东海生□瓒漫书。主题:
主要主题：山水 主要主题：山水名胜荆溪；其他主题：树木松 ；其他主题：船篷舟 ；其他主题：建筑桥 ；其他主题：建筑房舍 ；其他主题：建筑水榭 ；其他主题：山水江河、湖海 ；其他主题：树木技法:
写意 皴法披麻皴参考资料:
收藏着录： 石渠宝笈续编（重华宫），第三册，页1599 收藏着录： 故宫书画录（卷五），第三册，页274 收藏着录： 故宫书画图录，第六册，页7-9 参考书目： 1.蒋复璁，〈倪瓒题陈汝言荆溪图〉，收入国立故宫博物院编，《元四大家》（台北：国立故宫博物院，1975年初版，1976年二版，1984年三版），页61-62。2.蒋复璁，〈王蒙题陈汝言荆溪图〉，收入国立故宫博物院编，《元四大家》（台北：国立故宫博物院，1975年初版，1976年二版，1984年三版），页71。3.张光宾，〈陈汝言的荆溪图〉，《故宫文物月刊》，第1期（1983年4月），页71-73。 内容简介（中文）： 陈汝言（卒于西元一四七一年），字惟允，临江（江西靖江）人，寓居吴县（江苏苏州）。曾任抗元将领张士诚幕僚，明初任济南经历，后因事遇难，时年约四十。工诗画，山水画受赵孟頫影响。 此图画江苏宜兴县荆溪一带胜景，是应当地望族王氏后人王允同的请求而画的。栋宇纵横，千矗万落，图中大桥即传说中晋朝周处除三害，「桥下斩蛟」的地方。近景四合院大宅，或就是王氏老家。 内容简介（中文）： 陈汝言，字惟允，临江人。生卒年不详。生于元而卒于明。洪武元年，以荐任济南经历，坐事免。工诗画，与王蒙最为契厚。 荆溪在今宜兴县，为王觉轩之故居，王因挽陈图之，倪瓒王蒙为之题。按惟允画赡奇思，曾以小弓弹雪，王蒙至惊以为神。此图近景以平房为主体，全用直线，随意交错，遂觉栋宇纵横，千矗万落，于古画中亦为奇格。 内容简介（中文）： 陈汝言，字惟允，元末明初人。曾任抗元将领张士诚幕僚，明初任济南经历，后因事遇难，时年约四十。荆溪在今江苏宜兴县，此图应当地望族王氏后人王允同请求而画，倪瓒、王蒙为之题。采一河两岸图式及五代董源、巨然风格传统。近景屋舍纵横错落，左下四合院大宅，或为王氏老家。图中大桥即传说中晋朝周处除三害「桥下斩蛟」之地。全幅借自然地理与人文历史意涵结合表现。 内容简介（中文）： 陈汝言，字惟允，活动于元末明初，临江（江西靖江）人，工诗画，曾任抗元将领张士诚幕僚，明初以荐任济南经历，后因事遇难，时年约四十。此幅为应荆溪望族王允同之请，自当地名胜取材创作。惟允擘画奇思，一河两岸旁，以率意交错的直线描绘屋舍，遂觉栋宇纵横，左下四合院大宅，或为王氏老家，中景大桥即传说中周处「斩蛟」之处，为结合历史人文景观的图像。上方有倪瓒、王蒙行楷书题跋。(20120714) 内容简介（英文）： Chen Ruyan of the late Yuan and early Ming was a native of Linjiang (Jingjiang, Jiangxi). Gifted at poetry and painting, he served in the anti-Yuan resistance under Zhang Shicheng. Recommended as Registrar of Ji’nan, later around the age of 40 he was executed for some offense. This work, done at the request of Wang Yuntong from a prominent family in the Jing River area, is based on famous scenery there. The innovative landscape features sketchy crossed lines depicting houses in a “one river, two banks” scene. The large bridge in the middle is the site of the “Zhou Chu” legend, this work thus combining nature, geography, as well as personal and general history. At the top of the painting are inscriptions by Ni Zan and Wang Meng.(20120714) 内容简介（英文）： Ch’en Ju-yen resisted the Yüan and followed Chang Shih-ch’eng. In the early Ming he served in Tsinan but was implicated in intrigue and died at around 40. This work depicts the Ching River in I-hsing County, Kiangsu, and was probably requested by Wang Yün-t’ung of the respected Wang family there. With inscriptions by the famous painters Ni Tsan and Wang Meng, it employs the “one river, two banks” format and follows the Five Dynasties tradition of Tung Yüan and Chü-jan. With houses in the foreground, in the lower left is a large compound that is perhaps the old Wang home. The main bridge is the site of the Chin legend “Chou Ch’u, the bully who bested three beasts.” The work thus combines nature and geography, personal and general history. 内容简介（英文）： Ch’en Ju-yen was a native of Kiangsi who resided in Wu-hsien (modern Soochow). He fought against the Mongols at the end of the Yüan and served in the early Ming. He excelled at poetry and painting, being influenced by the landscape painting of Chao Meng-fu (1254-1322). In this painting is a depiction of the scenery along the Ching River in I-hsing County in Kiangsu and was probably done at the request of Wang Yün-t’ung of the locally respected Wang family. In the foreground are many single-level houses. The main bridge seen here is probably the one in the area said to date from the Chin dynasty. The compound in the lower left corner is most likely the Wang family residence.
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