书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸诗塘纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：太上皇帝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：文台；题跋位置：本幅；款识：文台；书体：草书；全文： 印记：文台

题跋类别：题跋；作者：袁尊尼诗塘吴门居士袁尊尼敬书；全文：；书体：楷书；全文：般若波罗蜜多心经。（经文不录）。吴门居士袁尊尼敬书。印记：袁鲁望氏、茂松清泉臣所须也、嘉鱼馆

主题:

主要主题：佛道人物菩萨 主要主题：经史‧故事 香象皈依；次要主题：山水奇石石壁；次要主题：走兽象白象；次要主题：花草莲荷莲；其他主题：器用家俱（屏风）蒲团；其他主题：器用宗教器用经卷；其他主题：器用服饰（对人） 

技法:

工笔 皴法 皴法斧劈皴人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 秘殿珠林续编﹝干清宫﹞，第一册，页148 收藏着录： 故宫书画录﹝卷五﹞，第三册，页396 收藏着录： 故宫书画图录，第八册，页67-68 内容简介（中文）： 文台，长洲（今江苏州）人。字允承，号祝峰。文征明（西元一四七○－一五五九年）第三子。为人慷慨，有豪士之风。山水、人物师李公麟。 一菩萨手持经卷趺坐于巨石之上，前有六牙白象鼻捲莲花，供养菩萨。菩萨身躯拉长，巨石造形怪异，菩萨衣纹和白象的皮褶又似平行的线条表现，颇具变形之趣。全作笔墨高古，富于变化。 内容简介（英文）： Wen T’ai (style name Yün-ch’eng, sobriquet Chu-feng) was a native of Ch’ang-chou, modern Suchou, Kiangsu province. He was the third son of the famous artist Wen Cheng-ming (1470-1559). He was a generous, unselfish person of outstanding intellectual capacity. He painted landscapes and figures in the style of Li Kung-lin, a famous northern Sung artist. A bodhisattva holds a sutra in his hands and sits cross-legged on a rock. In the foreground, a six-tusked white elephant holds lotus flowers with its trunk as an offering to the bodhisattva. The large rock is strangely shaped, and the clothing folds of the bodhisattva and the folds in the elephant’s skin which are depicted through parallel lines seem to have undergone a kind of transformation. The skilled brushwork in the entire painting possesses an antique flavor and is full of changes.