书体:

色彩:

设色

装裱形式:

轴

创作时间:

明熹宗天启二年（1622）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：关思 壬戌（西元一六二二年）夏日写于清晖阁。关九思。；书体：草书；全文： 印记：关九思印

主题:

主要主题：人物高士（士人、隐士）１人；次要主题：人物侍从（侍女、童仆）童仆１人；次要主题：山水江河、湖海 ；次要主题：翎毛鹤２只；次要主题：树木松 ；次要主题：建筑水榭 ；次要主题：建筑台阁 ；次要主题：建筑栏杆 ；其他主题：建筑桥 ；其他主题：建筑斋馆 ；其他主题：建筑房舍 ；其他主题：山水  ；其他主题：树木  ；其他主题：树木竹 ；其他主题：花草藤萝 ；其他主题：器用烛台．蜡烛烛台；其他主题：器用鸟笼笼；其他主题：器用文玩（琴棋书画）书；其他主题：器用家俱（屏风）桌、椅凳

技法:

皴法披麻皴人物衣纹描法(匀称线条) 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页2017 收藏着录： 故宫书画录（卷五），第三册，页433 收藏着录： 故宫书画图录，第九册，页127-128 内容简介（中文）： 关思一名九思，字仲通，号虚白，浙江乌程人，少时以绘事游京师，名籍甚。善山水，尝拟范宽、赵孟頫、黄公望、王蒙。流传画蹟在万历中至崇祯初年（一六００－三０）。同时人谓其「学博思深，自多灵异，每作一画，援笔立就，而丘壑奇渺，聿出新裁，无不师古。」　此图绘一鹤翔空，一鹤集松上，亭阁上一人倚石栏伫望，旁置樊笼。笔墨雅秀，设色清淡。东坡放鹤亭记云：山人张君有二鹤，甚驯而善飞，旦则放焉纵其所如，暮则归。可与此图合观。 内容简介（英文）： Kuan Ssu, a native of Wu-ch’eng, Chekiang, established a reputation for himself as a painter while a young man in the capital. He was a skilled landscape painter whose style was modelled after the earlier artists Fan K’uan, Chao Meng-fu, Huang Kung-wang and Wang Meng. Contemporaries marveled at his familiarity with earlier painting and his ability to use this knowledge to form a style that was entirely new. In this painting, one crane soars in the sky while the other perches atop a pine tree. The birds’ master watches by a stone balustrade, the cage by his side. The brushwork and application of colors are light and elegant. Su Shih (1036-1101) wrote “A Record of Releasing Cranes”, in which he said, “Mountain man Mr. Chang has two cranes which are very tame and like to fly. In the morning he releases them and they go where they please. In the evening they return.” Kuan Ssu’s painting may be an illustration of this story.