书体:

色彩:

设色

装裱形式:

轴

创作时间:

明熹宗天启三年（1623）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：宁寿宫续入石渠宝笈
鑑藏宝玺：乐寿堂鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：沈士充；题跋位置：本幅；款识：天香书屋。（篆书）。癸亥（西元一六二三年）春日。沈士充写。（行楷书）。；书体：篆书；全文： 印记：沈士充印、子居

主题:

主要主题：建筑斋馆 主要主题：山水  ；次要主题：山水瀑布 ；次要主题：人物高士（士人、隐士） ；次要主题：建筑茅草屋 ；次要主题：建筑桥 ；次要主题：树木松 ；其他主题：器用文玩（琴棋书画） ；其他主题：器用文房用具笔筒；其他主题：器用家俱（屏风）几、书柜；其他主题：器用香炉．火盆香炉；其他主题：树木  ；其他主题：树木芭蕉 ；其他主题：山水溪涧、湍泉溪涧；其他主题：人物侍从（侍女、童仆）童仆１人

技法:

皴法披麻皴苔点 人物衣纹描法(减笔) 

参考资料:

收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2832 收藏着录： 故宫书画录（卷五），第三册，页439-440 收藏着录： 故宫书画图录，第九册，页153-154 内容简介（中文）： 沈士充，生卒不详，作品见于西元一六一八－一六三四间。字子居，华亭人。出宋懋晋之门，兼师赵左，所作山水，丘壑蒨葱，皴染淹润。 此幅以枯劲之笔，填札满幅，布置精当，意在王蒙而自出面目。门前润水，回环左右，丛阴蒙羃，更作桂花林于树隙蕉阴。所谓天香者，盖指此也。背山巃嵸而起，悬泉挂于其左，为涧水之本源。 内容简介（中文）： 沈士充，生卒年不详，作品见于西元一六一八至一六三四年间。字子居，华亭人。出宋懋晋之门，兼师赵左，所作山水，丘壑蒨葱，皴染淹润。　此幅以枯劲之笔，填札满幅，布置精当，意在王蒙而自出面目。门前涧水，回环左右，丛阴蒙羃，更作桂花林于树隙蕉阴，所谓天香者，盖指此也。背山巃嵸而起，悬泉挂于其左，为涧水之本源。(20120103) 内容简介（英文）： The birth and death dates of Shen Shichong (style name Ziju), a native of Huating, are unknown. He studied landscape painting under Song Maojin and also took Zhao Zuo as his teacher. Shen’s landscapes are known for their lush hills rendered with rich wet washes and texture strokes.Powerfully dry brushstrokes fill this painting, creating a most fitting composition. The landscape was intended to be in the style of the Yuan master Wang Meng but reveals Shen’s own instead. Mountain rapid swirls before a studio door shaded by a thick growth of trees. Cassia flowers bloom everywhere, filling the air with their scent. In the background, hills rise in layers while a waterfall plunges below to its left, forming the source of the stream. (20120103) 内容简介（英文）： Shen Shih-ch’ung, whose style-name was Tzu-chu, was a native of Hua-t’ing, Kiangsu. He studied landscape painting with Sung Mou-chin and Chao Tso. His works were known for their lush hills rendered with rich wet washes and texture-strokes. Mountain rapid swirls before a studio door shaded by a thick growth of trees. Cassia flowers bloom everywhere, filling the air with their scent. In the background, hills rise in layers while a waterfall plunges below, forming the source of the stream. Powerful dry brushstrokes fill the painting, creating a most fitting composition. The landscape was intended to be in the style of Wang Meng, but Shen Shih-ch’ung here presents us with something very much in his own style.