书体:

色彩:

设色,泥金

装裱形式:

轴

创作时间:

明熹宗天启六年（1626）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：寒士精神
收传印记：卧菴所藏
收传印记：子孙保之
收传印记：休宁朱之赤珍藏图书

题跋资料:

题跋类别：作者款识；作者：张宏；题跋位置：本幅；款识：天启丙寅（西元一六二六年）十月。张宏写。；书体：楷书；全文： 印记：张宏、君度氏

主题:

主要主题：山水冬景（雪景） 主要主题：树木寒林．枯树 ；次要主题：树木松 ；次要主题：建筑宫殿 ；其他主题：走兽骡．驴驴；其他主题：建筑寺庙 ；其他主题：建筑塔 ；其他主题：人物高士（士人、隐士） ；其他主题：人物侍从（侍女、童仆）童仆；其他主题：山水江河、湖海 ；其他主题：山水石磴、栈道石磴；其他主题：山水山径 

技法:

皴法 

参考资料:

收藏着录： 石渠宝笈三编（干清宫），第二册，页581 收藏着录： 故宫书画录（卷五），第三册，页472 收藏着录： 故宫书画图录，第八册，页375-376 内容简介（中文）： 张宏（西元一五七七－一六六八年后）。吴郡（今江苏苏州）人。字君度，号鹤间。工画山水，吴中学者尊崇之。笔墨古拙，墨法湿润，人物写眞，亦所擅长。 松林积雪，掩映琳宫。构图繁复琐碎，用笔工细。寒林、松树、点苔之安排，极富律动感。画法高妙，尤以留白点出积雪，背景更饰以泥金，表现出晴日下冬雪闪耀之感，甚具巧思。 内容简介（中文）： 张宏（西元一五七七－一六六八年后）。吴郡（今江苏苏州）人。字君度，号鹤间。工画山水，吴中学者尊崇之。笔墨古拙，墨法湿润，人物写真，亦所擅长。　松林积雪，掩映琳宫。构图繁复琐碎，用笔工细。寒林、松树、点苔之安排，极富律动感。画法高妙，尤以留白点出积雪，背景更饰以泥金，表现晴日冬雪闪耀之感，甚具巧思。(20120103) 内容简介（英文）： Zhang Hong (style name Jundu, sobriquet Hejian) was native to Wu Prefecture (modern Suzhou, Jiangsu). A skilled landscape painter highly respected among literati of Wu, his brushwork has an archaic quality with ink appearing moist and lush. He did realistic figures, which he also specialized in. A forest of pines in snow contrasts with a beautiful palace here. The composition is complex and varied, the brushwork finely detailed. The arrangement of wintry trees, pines, and moss dots enlivens the scene with much rhythm. Zhang’s method is marvelous, particularly in his suggesting snow by leaving blank white patches. The background is further embellished with marvelous applications of gold powder for a glittering winter’s snow in the sun.(20120103) 内容简介（英文）： Chang Hung (style name Chün-tu; sobriquet Ho-chien) was a native of Wu prefecture (modern Soochow), Kiangsu province. He was a skilled landscape painter and was highly respected among the literati of the Wu prefecture. His brushwork possessed an archaic quality, and his ink appeared moist and lush. He was also known for his realistic portrayal of human figures. A forest of pines covered in snow is set against the contrast of a beautiful palace in this painting. The composition is complex and varied, and the brushwork is finely detailed. The arrangement of wintry trees, pines and dots of moss enlivens the scene with rhythmic feeling. Chang’s painting technique is marvelous, particularly his ability to suggest snow in areas where he has left white patches. Even more unique and skillful is the application of gold powder in the background, which communicates a sense of twinkling winter snow under a clear sun.