书体:
色彩:
设色装裱形式:
轴创作时间:
清圣祖康熙三十年（1691）文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺：嘉庆御览之宝题跋资料:
题跋类别：作者款识；作者：王翬；题跋位置：本幅；款识：夏麓晴云图。康熙岁次辛未（西元一六九一年）二月既望。倣关仝笔。耕烟散人石谷子王翬。时在燕山邸舍。；书体：行书；全文： 印记：王翬之印、石谷子主题:
主要主题：山水夏景 ；次要主题：山水云 ；次要主题：建筑桥 ；其他主题：山水山径 ；其他主题：山水瀑布 ；其他主题：建筑寺庙 ；其他主题：建筑房舍 ；其他主题：走兽骡．驴驴；其他主题：树木松 ；其他主题：人物百姓 ；其他主题：人物行旅 ；其他主题：器用家俱（屏风）桌、椅；其他主题：山水溪涧、湍泉溪涧；其他主题：树木 ；其他主题：人物侍从（侍女、童仆）童仆；其他主题：山水石磴、栈道石磴技法:
写意 皴法披麻皴皴法雨点皴皴法 人物衣纹描法(减笔) 苔点参考资料:
收藏着录： 石渠宝笈三编（延春阁），第五册，页2192 收藏着录： 故宫书画录（卷五），第三册，页520 收藏着录： 故宫书画图录，第十册，页131-132 参考书目： 1.葛婉章，〈清王翬夏麓晴云〉，《故宫文物月刊》，第5期（1983年8月），封底。 内容简介（中文）： 作者王翬（西元一六三二－一七一七年），江苏常熟人，字石谷，别号耕烟散人、乌目山人、剑门樵客、清晖主人。从小便善画，青年时，得拜王鑑、王时敏为师，二人尽传所学外，又常偕带他参观各地收藏，借此揣摩古人画技，因此他能够笔参古今、貌合南北，画技精熟为清代之冠。他的作品最大特色，是以一种精爽的笔墨和清淡的着色形成的明净画面，配合着曲折盘回的造景，一片山光岚色，水流飞云，树丛掩映着村舍和行旅，处处引人入胜。 内容简介（英文）： Wang Hui was a native of Ch’ang-shu in Kiangsu province. He was already a capable painter in his youth when he met Wang Chien and Wang Shih-min who became his teachers. In addition to providing him with thorough instruction in painting, they also took him to view and copy the works of the ancient masters of many great collections. In this way, he was able to absorb the brush techniques of both the past and present masters. Because Wang Hui was able to unite the best qualities of the Northern and Southern Schools of painting and because of his consummate skill, he became the greatest master of brush technique of the Ch’ing dynasty. The most important feature of his work was the skillful use of brush and ink and the light application of colors to create a painting of clear and clean appearance, which was harmonized with complexly constructed, twisting and turning compositions. Passages of mountains in luminescent mist, flowing water and flying clouds, village houses and travellers seen amidst groves of trees, all draw the viewer into the scene.
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