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色彩:
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本幅纸释文:
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鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:吴历;题跋位置:本幅;款识:师梅华道人笔法。呈蒨翁老先生教正。吴历。;书体:行书;全文: 印记:吴历、渔山、静逸菴书画印主题:
主要主题:山水 ;其他主题:山水石磴、栈道石磴;其他主题:山水山径 ;其他主题:山水溪涧、湍泉 ;其他主题:人物高士(士人、隐士) ;其他主题:人物渔夫、船夫 ;其他主题:人物樵夫 ;其他主题:人物百姓 ;其他主题:树木 ;其他主题:树木寒林.枯树枯树;其他主题:树木松 ;其他主题:翎毛鹤 ;其他主题:建筑房舍 ;其他主题:建筑寺庙 ;其他主题:建筑亭 ;其他主题:建筑桥 ;其他主题:建筑栏杆 ;其他主题:建筑篱笆、围墙 ;其他主题:船 ;其他主题:船篷舟 ;其他主题:器用家俱(屏风)桌;其他主题:器用文玩(琴棋书画)书技法:
写意 皴法披麻皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2208 收藏着录: 故宫书画录(卷五),第三册,页537 收藏着录: 故宫书画图录,第十册,页243-244 内容简介(中文): 吴历(一六三一-一七一八),江苏常熟人,字渔山,号墨井道人。工绘事,壮年受业于王时敏、王鑑,其画出入宋元,名埒其师,世称四王吴恽。吴墨井画,好作重山叠嶂,以茂密苍郁胜。王石谷以为吴画深入黄鹤山樵之室,此帧则仿梅花道人,用墨甚澹,涉笔踈秀,觉莽莽山林之气,在微岚薄霭之中。昔人每讥沙弥墨重,墨井其或有意出之浅淡欤。 内容简介(英文): Wu Li (style name; Yü-shan, and sobriquet; Mo-ching tao-jen [Taoist of the Ink Well]) was a native of Ch’ang-shu, Kiangsu. Wu Li studied painting as an adult with Wang Shih-min (1592-1680) and Wang Chien (1598-1677). His style evolved from that of Sung (960-1279) and Yüan (1279-1368) dynasty masters, and his fame equalled that of his teachers. Wu Li’s name is usually mentioned together with the Four Wangs and Yun Shou-p’ing (1633-90). In his paintings, Wu Li was found of depicting a large mountain with serried peaks. Wang Hui (1632-1717) considered Wu Li to be deeply influenced by the Yüan dynasty master, Wang Meng (ca. 1309-85), but this work was done after the style of Wu Chen (1280-1354). His use of ink is very profound and his brushwork sparse and elegant, thus imparting the atmosphere of a dense forest and in a thin mist. Since Wu Chen’s work had been criticized for his use of heavy ink, Wu Li purposely used slightly diluted ink here.