书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅纸引首纸拖尾纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：古希天子
鑑藏宝玺：寿
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：松雪斋图书印
收传印记：伯颜不花
收传印记：江东廉访副使

题跋资料:

题跋类别：作者款识；作者：陈居中；题跋位置：本幅；款识：□定二年春。陈居中画。；书体：篆书；全文： 印记：居中

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：甲午仲春月御题；书体：草书；全文：（乾隆甲午御题。诗文不录。）

题跋类别：题跋；作者：清高宗引首 ；书体：行书；全文：仿彿西徕。印记：乾隆御笔

题跋类别：题跋；作者：文征明拖尾文征明；书体：草书；全文：八尺昂藏骨相奇。产来原是渥洼池。远人知是朝廷重。牵入长安不敢驰。文征明。印记：文征明印

主题:

主要主题：人物圉人 主要主题：走兽马 

技法:

工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1535 收藏着录： 故宫书画录（卷四），第二册，页62-63 收藏着录： 故宫书画图录，第十六册，页323-325 参考书目： 1.林柏亭、张华芝，〈宋陈居中画马〉，收入林柏亭、张华芝编，《画马名品特展图录》（台北：国立故宫博物院，1990年元月初版），页88-89。 内容简介（中文）： 陈居中，嘉泰间（一二0一—一二0四）画院待诏。工画人物，亦擅蕃族人马。宋元载籍关于陈氏之资料极少，至明则时见其作品流传之记载，而以蕃马题材居多。元柯九思推许陈氏之作，不亚于宣和蕃马名家黄宗道。 圉人牵枣骝，骨相俊伟，丰臆圆脽，步稳慢，雄壮而安祥。 内容简介（英文）： Ch'en Chü-chung was a Painting Academy attendant in the Chia-t'ai era who specialized in portraying figures and Mongolian horses. This picture depicts a stable man leading a dark-brown horse. The horse's chest is thick, and rump rounded. Slowly and steadily the horse moves forward, virile and valiant in its outlook, strong and composed in its manner. In the lower left part of the painting, there is an inscription. It reads: “Ch'en Chü-chung painted this in the spring of the second yea of the ?-ting era.” The character before “ting”, not wholly rubbed off, still can be recognized as “t'ai”, thus the term should be “T'ai-ting”. But we know that “T'ai-ting” was only used from1324 to 1327, as the name of the reign years of the Yüan emperor Tsin-tsung. However, Ch'en Chü-chung lived almost a century before that date. It seems, then, that the inscripion might have been written by a later copyist. The picture also bears a seal of Chao Meng-fu. It reads “Sung-hsüeh-chai t'u-shu yin”. Strangely, though, it is not similar to any of the other seals of Chao Meng-fu. The painting is thus probably a copy.