书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢拖尾纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：御书房鑑藏宝
收传印记：枝山（半印）
收传印记：南京解元
收传印记：六如居士
收传印记：唐寅之印
收传印记：文征明印
收传印记：文彭
收传印记：太史氏

题跋资料:

题跋类别：题跋；作者：清高宗引首癸巳暮春月御题；书体：行书；全文：（乾隆癸巳御题。诗文不录。）印记：干、隆

题跋类别：题跋；作者：王时敏拖尾丁酉夏日。西庐老人王时敏识。；书体：草书；全文：六如师承东村。后有出蓝之誉。以六如清放特甚。而东村豪发不踰绳墨者也。此卷树石古雅。人物生动。真得南宋规度。而少轶宕之笔。当是东村佳制。惜

题跋类别：题跋；作者：俱已割裂。为周为唐。世无辨者。馀则以为非东村不能有此作也。丁酉夏日。西庐老人王时敏识。印记：逊之、王时敏印

主题:

主要主题：器用耕织渔猎渔（垂钓、鱼网、鱼罟、鱼篓）；次要主题：器用饮食器碗盘；次要主题：人物渔夫、船夫 ；次要主题：船篷舟 ；次要主题：山水江河、湖海江河；次要主题：人物商贩鱼贩；次要主题：建筑桥 ；次要主题：人物百姓妇女、老人；其他主题：建筑房舍 ；其他主题：山水田畴 ；其他主题：树木  ；其他主题：翎毛鹈鹕 ；其他主题：树木杨柳 ；其他主题：人物孩童 ；其他主题：山水  ；其他主题：花草芦苇 ；其他主题：船渔船 

技法:

工笔 写意 皴法斧劈皴人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 石渠宝笈续编（御书房），第四册，页1994 收藏着录： 故宫书画录（卷四），第二册，页166 收藏着录： 故宫书画图录，第十八册，页233-236 内容简介（中文）： 周臣（约西元一四五○至一五三五年），江苏苏州人，字舜卿，号东邨，善画山水人物。山水师法宋人，得力于刘松年、李唐、马远、夏珪最多。用笔纯熟愼密，风骨峭劲雅健，尝传授画法于唐寅、仇英。 本幅描绘江上捕鱼人家的日常生活情景，极为细腻生动：有泛舟江上无所事者，有泊舟江边打盹者，有舟船三两相聚，船家相互饮酒作乐者，亦有渔夫与鹈鹕正在合力捕鱼者。西行过了拱桥，田舍在望，此时渔家在岸边用膳休息，渔获也在此交易。通幅用笔谨细，设色雅淡，人物布景皆安排的条理有序。 内容简介（中文）： 周臣，生卒年不详，约活动于十五世纪末至十六世纪初，字舜卿，号东邨，吴县（今江苏苏州）人，善画山水人物，主宗南宋院体画风并融入文人笔墨情趣，唐寅、仇英为其门下高足，是位具有创新精神的职业画师。本幅描绘江上捕鱼人家的日常生活情景，有的张网捕鱼，有的引酒作乐，或泊舟休息，人物刻画细腻生动，用笔精整，各有意态，画山石坚凝，设色古雅，空间布景严谨。(20110405) 内容简介（英文）： Zhou Chen, whose birth and death dates are unknown, was a native of Wuxian (modern Suzhou in Jiangsu). His style name was Shunqing and sobriquet Dongcun. He excelled at painting landscapes and figures, focusing on the Southern Song academic style combined with the brush and ink methods of literati painting. An innovative professional artist, two of his most famous pupils were Tang Yin and Qiu Ying.This work depicts the everyday life of fishermen on a river. Some catch fish or enjoy drink, or moor a boat at shore to rest. The figures are punctilious and lively, the brushwork refined and in various manners. The landscape is also solid and the arrangement of the scenery exact.(20110405) 内容简介（英文）： Chou Ch’en was a native of Wu-hsien, Kiangsu. His style name was Shun-ch’ing, and his sobriquet Tung-ts’un. He was a master of both landscape and figure painting. He based his style on the work of the Sung dynasty masters Li T’ang, Liu Sung-nien, Ma Yüan and Hsia Kuei. Chou’s mature brush was refined, bold and vigorous. He transmitted his style to the Ming masters T’ang Yin and Ch’iu Ying. This scroll depicts the everyday labors of fishermen, delightfully picturesque in their episodic arrangement. Activities range from idle conversation and wine-drinking, to fishing with trained cormorants, to the business of fish-marketting. Following the compositional arrangement from right to left, one’s eye is led along the river banks, across a gracefully arched bridge, to rice fields and distant farmhouses. Brush work is executed with meticulous care, and color applied sparingly but elegantly. The overall effect is a lighthearted yet realistic portrayal of the joys and toils of fishermen.