书体:

色彩:

设色

装裱形式:

卷

创作时间:

明世宗嘉靖三十八年（1559）

文字类型:

汉文

质地:

本幅绢拖尾纸

释文:

印记资料:

鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝
收传印记：有怀草堂

题跋资料:

题跋类别：作者款识；作者：陆治；题跋位置：本幅；款识：嘉靖岁己未（西元一五五九年）春日。包山陆治写于支硎书舍。；书体：楷书；全文： 印记：陆氏叔平、有竹居、包山子

题跋类别：题跋；作者：潘远拖尾乙卯冬日。为又翁词宗题。话画菴雪僧潘远。；书体：行书；全文：王弇州先生。与陆叔平善。称其工写生。能得徐黄遗意。不若道复之妙而不真也。山水喜仿宋人。时时出己意。风骨峻削。霞思湧叠。然不免露蹊径。时年将八十。尝自言更二年当大成。馀览此卷。细秀精密。神采烂然。如上飞阁以疏眺。正者见瑶光与璧绳。乃暮齿犹崛强不已。故知此老不凡。乙卯冬日。为又翁词宗题。话画菴雪僧潘远。印记：话画弇、潘远之印、雪僧

主题:

主要主题：花草梅（白．红．蜡梅） 主要主题：花草兰．蕙 主要主题：花草牡丹 主要主题：花草水仙 主要主题：花草海棠（木） 主要主题：花草海棠（草）秋海棠 主要主题：花草杏花 ；其他主题：花草茶花 主要主题：花草月季　玫瑰　蔷薇 主要主题：花草秋葵 主要主题：花草牵牛花 主要主题：花草百合花 主要主题：花草梨花 主要主题：花草剪秋罗、石竹 主要主题：花草栀枝 主要主题：花草紫薇 

技法:

工笔 双钩 

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3116 收藏着录： 故宫书画录（卷四），第二册，页218-219 收藏着录： 故宫书画图录，第十九册，页257-260 参考书目： 1.王耀庭、张华芝，〈明陆治画仙圃长春〉，收入王耀庭、张华芝编，《明陆治作品展览图录》（台北：国立故宫博物院，1992年初版），页76。2.姜又文，〈吴门花鸟画的双胞案 — 陆治《仙圃长春图》与鲁治《百花图》研究〉，《议艺份子》，第13期(2009年9月)，页49-72。 内容简介（中文）： 此卷工笔花卉作于六十五岁，正当陆治老境成熟之际。在陆治长年隐居生活中，园艺操作也是生活的一部分，通过长期对植物生态的观察，陆治可以精确地掌握到花叶、枝干的形态，用熟练的笔墨、鲜嫩的色调，在绢布上传达无限生意。所画依序为杏花、蕙兰、剪秋萝、牡丹、梨花、贴梗海棠、百合花、紫薇、蔷薇、栀子花、秋海棠、牵牛花、秋葵、山茶、绿萼梅、水仙，共计十六种。 内容简介（英文）： This handscroll in the fine-line style with colors was done by Lu Chih in 1560 at the age of 64 during the prime of his career. In Lu’s many years of living in reclusion after around the age of 50, a good part of his time was spent cultivating his garden of flowers and plants. With much time observing these plants, he was able to accurately grasp the way they look and grow. Using his mature brushwork and beautiful coloring, he thereby was able to give them immortality with this scroll of silk. In order of appearance from right to left, there are 16 blossoming plants, including apricot, orchid, late pink, peony, pear, flowering quince, lily, crape-myrtle, rose, gardenia, begonia, morning glory, hibiscus, camellia, green calyx plum, and narcissus. 网页展示说明 陆治不仅长于画山水画，也能画花鸟，目前传世作品中花鸟画约有四十幅左右，工笔、写意两种风格都有。在陆治长年隐居生活中，园艺操作也是生活的一部分。依据陆治好友王世贞的记载，陆治热衷园艺，尤其喜欢种菊花，在支硎山居园子里有成百上千的花木。经过长期对植物生态的观察，陆治可以精确地掌握到花叶、枝干的形态，用熟练的笔法、鲜嫩的色调，在纸绢上传达无限生意。这卷工笔花卉画在绢上，笔法和设色都具有宋朝人的韵度，将花朵盛开、半开、含苞的景象以及俯仰向背的姿态，都画出来了，是陆治六十五岁山居生活观察入微之作。所画依序为杏花、蕙兰、剪秋萝、牡丹、梨花、贴梗海棠、百合花、紫薇、蔷薇、栀子花、秋海棠、牵牛花、秋葵、山茶、绿萼梅、水仙、共计十六种。 网页展示说明 Lu Chih not only excelled at landscape painting but also at the subject of birds-and-flowers. His surviving works in the latter category include both the fine-line and “sketching ideas” manners. In reclusion after the age of around 50, gardening was an important part of Lu’s life. According to a record by Lu's friend Wang Shih-chen, Lu enjoyed gardening and grew many plants and trees at Chih-hsing Mountain. After spending a considerable amount of time observing the appearance and growth of these plants, he was able to capture them with his mature brushwork and his fine sense of coloring, thus giving them “immortality” with this scroll of silk. This handscroll in the fine-line style with colors follows in the tradition of Sung artists. It was done by Lu Chih in 1560 at the age of 64, during the prime of his career at Chih-hsing Mountain. In order of appearance from right to left, there are sixteen blossoming plants, including the apricot, orchid, late pink, peony, pear, flowering quince, lily, crape-myrtle, rose, gardenia, begonia, morning glory, hibiscus, camellia, green calyx plum, and narcissus.