书体:

色彩:

设色

装裱形式:

册(折装‧纨扇式)

创作时间:

文字类型:

质地:

本幅纸对幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：古希天子
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：（干卦）
收传印记：御府图书（半印）
收传印记：清吟堂祕笈印

题跋资料:

题跋类别：作者款识；作者：刁光胤；题跋位置：本幅；款识：刁光彳 

题跋类别：题跋；作者：宋孝宗对幅御题；书体：楷书；全文：融融风日杂花开。一雨凋残满绿苔。赖有红妆来拾翠。无端蝴蝶斗飞来。御题。

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：无；书体：行书；全文：（乾隆丙寅御题。诗文不录。）印记：几暇怡情

主题:

主要主题：花草梅（白．红．蜡梅）白梅主要主题：草虫蝶蛾 ；次要主题：山水春景 

技法:

工笔 写意 皴法斧劈皴皴法折带皴

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1500 收藏着录： 故宫书画录（卷六），第四册，页1 收藏着录： 故宫书画图录，第二十二册，页34-39 参考书目： 1.王耀庭，〈刁光胤桃花双蝶〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页71。2.刘芳如，〈中国古画里的草虫世界 — 「草虫天地」特展介绍（上）〉，《故宫文物月刊》，第220期（2001年7月），页5。 内容简介（中文）： 刁光胤（十世纪）的原籍是陜西西安，唐朝末年，因为黄巢作乱，才避难到四川成都。他善于画湖石、花竹和鸟雀等题材，当地很多知名的画家，都曾经跟随他学习。本幅选自「刁光胤写生花卉」册。画双蝴用粗笔点染，配景桃花与坡石细草，则描绘精谨、着色鲜艳，左下角更以泥金签名，感觉分外抢眼。虽然沿袭了唐画的古朴与厚重，但推测应该是后人的仿作。 内容简介（中文）： 刁光胤，一作光引，唐末雍京（今西安）人。黄巢之乱，随僖宗避难至四川，复于昭宗天复年间（九O一—九O三）抵成都。善绘湖石、花竹、猫兔、鸟雀与龙水。在蜀中三十馀年，蜀人从其学者甚多，黄筌、孔嵩等人，曾亲受其指导。册凡十幅，画均设色，鲜丽精工，款金书「刁光胤」尤为奇特。一、桃花双蝶，二、枯树五羊，三、葵花立石，四、乔松卧兔，五、竹菊孤石，六、山猫游蜂，七、老干红英，八、秋塘蜻蜓，九、水仙倚石，十、芙蓉蘸蘸水。 内容简介（英文）： Tiao Kuang-yin was from Yung-chin (present-day Sian). To escape from the dangers of the Huang Chao rebellion, he fled to Szechwan with the emperor Hsi-tsung (r. 873 – 888). At the turn of the tenth century, he accompanied the emperor Chao-tsung (r.888-904) to Ch'eng-tu, Szechwan. He was noted for his paintings of rocks, flowers and bamboo, cats and rabbits, dragons and water, and birds. He lived in Szechwan for over thirty years, where he taught many pupils such as Huang Ch’üan and K'ung Sun.These ten album leaves, all rendered in color, are exquisitely executed in careful detail. The artist's signature in gold is particularly fine. The first album leaf depicts a blossoming peach tree and two butterflies; the second, five sheep beneath withered old trees; the third, sunflowers and an upright rock; the fourth, a rabbit resting beneath a stately pine; the fifth, bamboo and chrysanthemums around a solitary rock; the sixth, a wild cat chasing a bee; the seventh, an old trunk of a tree and red blossoms; the eighth, a dragonfly above an autumn pond; the ninth, narcissus and a curious rock; and the tenth, a water-drenched hibiscus. 内容简介（英文）： Tiao Kuang-yin, originally from Hsi-an in Shensi, fled to Ch'eng-tu in Szechwan during the Huang Ch'ao rebellion in the late T'ang. As a painter, he excelled at such subjects as garden rocks, flowers and bamboo, and birds and sparrows. In Szechwan, many famous painters studied under him.This work from the album "Flowers Sketched from Life by Tiao Kuang-yin" shows a pair of butterflies depicted in sketchy brushwork with washes of ink. The background of blossoming peach trees and grasses by a rocky slope, however, was painted with more precise brushwork and opulent colors. In the lower right is a striking signature in gold ink. Although this work follows the simplicity of T'ang painting, it appears to be by a later artist.