书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

作者印记：孙龙图书

题跋资料:

题跋类别：题跋；作者：姚绶对幅逸史；书体：草书；全文：草色晴迷日。蜻蜓欲醉时。不须夸点水。双立向花枝。逸史。印记：公绶

题跋类别：题跋；作者：清仁宗裱绫 ；书体：楷书；全文：未向钓丝立。轻莎含露时。玩芳仍并集，薄翼点柔枝。

主题:

主要主题：草虫蜻蜓 主要主题：山水奇石 ；其他主题：花草  

技法:

写意 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页1761 收藏着录： 故宫书画录（卷六），第四册，页30-32 收藏着录： 故宫书画图录，第二十二册，页166-171 参考书目： 1.王耀庭，〈孙龙写生〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页72。2.刘芳如，〈中国古画里的草虫世界 — 「草虫天地」特展介绍（上）〉，《故宫文物月刊》，第220期（2001年7月），页21。 内容简介（中文）： 本幅为孙龙写生册第五开，浅设色画草石蜻蜓。钤印：「孙龙图书」。左方裱绫清仁宗楷书御题：「未向钓丝立，轻莎含露时；玩芳仍并集，薄翼点柔枝。」对幅姚公绶题跋：「草色晴迷日，蜻蜓欲醉时；不须夸点水，双立向花枝。逸史。」 内容简介（中文）： 孙龙（西元十五世纪）是江苏毗陵人。宣德年间任职于宫廷，擅长画花鸟草虫。纯以墨彩点染的技法，虽然传承自北宋的「没骨」体，其实已经具备个人的特色。本幅选自「孙龙写生姚公绶题合璧册」。画中的蜻蜓和豆娘，落笔轻松，彷彿不经意间挥洒而成，但却能充分掌握昆虫的动态及神情。而对页姚公绶（一四二三－一四九五）的书法，同样落笔潇洒，书画两相呼应，更是在写生之外，平添了文人典雅的气息。 内容简介（中文）： 孙龙（西元十五世纪）是江苏毗陵人。宣德年间任职于宫廷，擅长画花鸟草虫。纯以墨彩点染的技法，虽然传承自北宋的「没骨」体，其实已经具备个人的特色。 本幅选自「孙龙写生册」。画中的蜻蜓，落笔轻松，彷彿不经意间挥洒而成，但却能充分掌握昆虫的动态及神情。而对页姚公绶的书法，写来也是笔调潇洒，书画两相呼应，更是在写生之外，凭添了文人优雅的气息。 内容简介（中文）： 孙龙（西元十五世纪），江苏武进人。字从吉，又字廷振，号都癡，开国忠愍侯（兴祖，一三三六－一三七○）之孙。宣德间入值内廷，官至新安府，生而敏颖敏，有仙人风度。擅翎毛花卉山水，画花鸟草虫，全以彩色渲染，得徐崇嗣、赵昌没骨法，而自成一家。 本幅画景，正如对页姚公绶题诗：「草色晴迷日，蜻蜓欲醉时，不须夸点水，双立向花枝。」画以没骨法，笔调极为轻松，似不经意，但极其传神而富生趣。 本幅选自「孙龙写生姚公绶题合璧」册第五开。 内容简介（英文）： Drawing from LifeSun Lung (15th century)Ming dynasty Sun Lung was a native of Ch’ang-chou in Kiangsu province. His style names were Ts’ung-chi and T’ing-cheng, sobriquet Tu-ch’ih. He was the grandson of Duke K’ai-kuo Chung-min, Sun Hsing-tsu (1336-1370). He entered the court during the Hsüan-te reign (1426-1435) and magistrate later became the Prefect of Hsin-an Prefecture. By nature perceptive and smart, it is said that Sun bore the air of an immortal. He excelled in painting birds, animals, flowers, and landscapes. His bird-and-flower and grass-and-insect paintings are completely shaded with color washes, making use of the boneless method of Hsü Ch’ung-ssu and Chao Ch’ang, but he established a style of his own. This painting in a boneless style depicts two dragonflies on grass. The relaxed brushwork gives the appearance of carelessness, but conveys the mood of the liveliness of a fine summer day. This painting is the fifth leaf from the Drawing of life by Sun Lung Accompanied by Yao Kung-shou’s inscriptions. 内容简介（英文）： Sketch from LifeSun Lung (15th c.)Ming Dynasty Sun Lung, a native of Kiangsu province, served at the Hsüan-te (1426-1435) court and excelled at painting birds and flowers as well as plants and insects. Using only ink, he followed in the Northern Sung (960-1279) tradition of “boneless” ink painting, but actually formed a style of his own. This work comes from “Album of Sketches from Life by Sun Lung”. It shows two dragonflies and a damselfly perched on the tip of a plant. The light touch of the brushwork looks almost carelessly finished. Sun, however, was able to completely grasp the pose and spirit of these insects. The accompanying calligraphy by Yao Kung-shou (1423-1495) is also fluid, adding an elegant scholar’s touch to this sketched scene from nature. 内容简介（英文）： Sun Lung, a native of Kiangsu province, served at the Hsuan-te (1426-1435) court and excelled at painting birds and flowers as well as plants and insects. Using only ink, he followed in the Northern Sung (960-1126) tradition of “boneless” ink and wash painting, but actually he formed a style of his own.This work comes from “Album of Sketches from Life by Sun Lung with Calligraphy by Yao Kung-shou.” It shows a dragonfly and a damselfly perched on the tip of a plant. The light touch of the brushwork looks almost like it was carelessly finished. Sun, however, was able to fully grasp the pose and spirit of these insects.The accompanying calligraphy by Yao Kung-shou (1423-1495) is also fluid, adding an elegant scholar's touch to this sketch from nature.