书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

鑑藏宝玺：五福五代堂宝
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝之宝
收传印记：贞（半印）
收传印记：元（半印）
收传印记：墨林祕玩
收传印记：梅□收藏
收传印记：（一半印不可辨）

题跋资料:

题跋类别：题签；    惠崇秋野盘雕

题跋类别：题跋；作者：清高宗对幅 ；书体：行书；全文：（乾隆辛亥御题，诗文不录。）印记：八征耄念之宝、自强不息

主题:

主要主题：山水秋景 主要主题：翎毛斑鸠 ；次要主题：树木竹 ；其他主题：树木  

技法:

工笔 皴法 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1681 收藏着录： 故宫书画录（卷六），第四册，页203 参考书目： 1.谭怡令，〈秋野盘雕〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页371-372。 内容简介（中文）： 误植画名「秋野盘雕」，标惠崇（约活动于11世纪前半叶）所作，或因其善作小景所致。郊野一隅，草地坡石上桃花、细竹，斑颈鸠四只，各有姿态。翠绿搭配粉色，展现春日妩媚，笔墨亦见纤秀。幅中枝干行笔节节提顿，与传宋黄居寀「竹石锦鸠」和推断为马麟所作宋人「桃花」相类。竹叶造型、笔法也有「竹石锦鸠」之意，描绘鸟类则多烘染。相对于二者的紧实，本幅较舒散，创作时间或近于马麟。(20101015) 内容简介（中文）： 惠崇（约活动于11世纪前半叶），福建建阳人。为北宋名僧，擅画鹅鹰，尤工小景，善为寒汀远渚，潇洒虚旷之象。坡石丛竹间，横出一株桃树，花朵缀满枝头。鸠四只，一盘飞空中，一停栖枝上，另两只则行喙于草地上。旧标「秋野盘雕」，题或有误。所绘为春日乡间野景，情趣宛然。本幅为艺苑藏集册之一开。 内容简介（英文）： Hui-ch'ung was a native of Chien-yang in Fukien province. A famous monk of the Northern Sung (960-1126), he was noted for his renditions of waterfowl and birds of prey, but was especially known for his small, intimate scenes. Some of his favorite themes were those of wintry rivers and distant islets.Among earthen slopes and bamboo clumps, a peach tree has thrust its way sideways, extending horizontally. Blossoms cluster together and fill its branch. Four turtledoves are portrayed; one in flight, another perched on a peach branch, and a pair pecking for food among the grass. The carefree, uncultivated scene evokes a natural, unrestrained atmosphere of the wilds in springtime. Judging from the subject matter, the earlier label with the title “Eagles Soaring Above an Autumn Plain” attached to this leaf must have been a misplacement. 内容简介（英文）： The current label was mistakenly placed on this painting at some point in the past and the artist given as Huichong, perhaps because he was famous for his depiction of intimate scenes. In the corner of a rustic setting appears a flowering peach tree with slender bamboo on an outcropping by a grassy slope. Four spotted-necked doves are in a variety of poses. The verdant greenery with touches of pink bring out the beauty of this spring day, the brush and ink being equally fine and beautiful.The trunk and branches of the tree here were done with running brushwork that started and stopped often, similar to the painting “Bamboo, Rocks, and Turtledoves” attributed to Huang Jucai and to “Peach Blossoms” now suggested as having been done by Ma Lin. The shape of the bamboo leaves and the brushwork are in the manner of “Bamboo, Rocks, and Turtledoves” as well, the depiction of the birds done mostly in washes. When the three are compared, this work appears more spacious, perhaps having been done closer in time to Ma Lin.(20101015)