书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

收传印记：潞王之宝
收传印记：延之心赏

题跋资料:

题跋类别：作者款识；作者：李迪；题跋位置：本幅；款识：李迪；书体：行书；全文： 题籤 裱纸 ；书体：楷书；全文：李迪秋卉草虫。

题跋类别：题跋；作者：董其昌对幅其昌；书体：行书；全文：李迪之笔。其昌。印记：昌

主题:

主要主题：花草 草；次要主题：草虫金龟．瓢虫 ；次要主题：草虫螳螂 

技法:

工笔 双钩 

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页513 收藏着录： 故宫书画录（卷六），第四册，页211 收藏着录： 故宫书画图录，第二十八册，页246-255 收藏着录： 国宝的形成-书画菁华特展，页110-111、309 参考书目： 1.王耀庭，〈李迪秋卉草虫〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页65。2.刘芳如，〈中国古画里的草虫世界 — 「草虫天地」特展介绍（下）〉，《故宫文物月刊》，第221期（2001年8月），页98。 内容简介（中文）： 李迪（十二世纪）是河南孟县人，南、北宋之间，曾先后任职于宫廷画院。花鸟、草虫、犬猫等题材，均非常擅长。本幅选自「宋元集绘」册。画叶稍上，螳螂高举双臂, 想要捕食金龟子，金龟子适时察觉了，立即振翅飞起。螳螂扑了个空，只好无奈地回首怅望。幅中展翅的金龟子，虽然结构不尽合理，但是画家对于昆虫界里，追逐与逃脱的生死瞬间，依旧刻画得扣人心弦。 内容简介（中文）： 画面左下方枝叶空隙处有「李迪」款。据《南宋院画录》记载，李迪（十二世纪）是河南孟县人，曾任职于徽宗朝的画院；靖康之变时亦南迁，在高宗（1127-1162）、孝宗（1163-1189）、光宗（1190-1194）朝服务，为南宋早期宫廷花鸟竹石的代表画家之一。此作最精彩的部分应属色彩的表现，让人几乎忘了昆虫追逐与逃脱、生死瞬间的紧张，而陶醉在花叶与昆虫散出的撩人感官魅力。(20101015) 内容简介（英文）： In the space between the leaves and stems in the lower left part of this painting is a signature that reads, “Li Di.” According to an entry in Record of the Southern Song Painting Academy, Li Di was a native of Mengxian in Henan and served originally in the Painting Academy under Emperor Huizong of the Northern Song. Fleeing south after the Jingkang Incident, he resumed service at the Southern Song courts of Emperors Gaozong (r. 1127-1162), Xiaozong (r. 1163-1189), and Guangzong (r. 1190-1194). He was a representative painter in bird-and-flower and bamboo-and-rock themes at the early Southern Song court. Perhaps the most fascinating part of this painting is the expression of color, which almost seems to make the viewer overlook the pursuit and flight of the insects in this tense, split-second scene of life and death in the insect world. Viewers are thus apt to be intoxicated by the fascination and feeling of the interaction of leaves, blossoms, and insects instead.(20101015) 内容简介（英文）： Li Ti, a native of Honan province, served in the painting academy of the Northern and Southern Sung courts. He specialized at such themes as birds and flowers, plants and insects, and dogs and cats. This work, from the album “Collected Sung and Yüan Paintings”, depicts the tip of some plants, where a mantis with forelegs raised has caught sight of a beetle. The beetle, having sensed imminent danger, has taken flight and departs the scene. The mantis, empty-handed, appears to look back in disappointment. The beetle here differs from the way it would actually look in flight. The artist, theless still familiar with the insect world, made up for this by capturing the viewer’s attention with this dramatic scene of life and death.