书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：交翠轩印
收传印记：（一半印不可辨）

题跋资料:

题跋类别：题跋；作者：杨皇后；题跋位置：本幅；款识：无；书体：楷书；全文：千年传得种。二月始敷华。印记：（坤卦）、杨姓翰墨

主题:

主要主题：花草桃花 

技法:

工笔 

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页735 收藏着录： 故宫书画录（卷六），第四册，页240-243 收藏着录： 故宫书画图录，第二十八册，页356-363 参考书目： 1.许郭璜，〈宋人桃花〉，收入国立故宫博物院编，《宋代书画册页名品特展》（台北：国立故宫博物院，1995年初版一刷），页297。2.许郭璜，〈马远或马麟 — 关于无款〈桃花〉图〉，《故宫文物月刊》，第332期（2009年11月），页18-27。 内容简介（中文）： 马远字钦山，南宋光宗、宁宗朝（西元一一O九至一二二四年）画院待诏，山水、人物、花鸟种种臻妙，山水画尤能独树一帜，与夏圭齐名，时称「马夏」。 此帧选自「历代集绘」册第八开。幅中写生桃花一枝，笔墨精雅而富生意，无名款，右上方但见杨皇后题云：「千年传得种，二月始敷华。」院藏另有马远倚云仙杏一作，于尺幅大小、笔墨设色、题识印记诸端，俱与本幅相仿，而倚云仙杏系有「臣马远画」四字款。基于上述比较，当能推知，宋人桃花亦属马远所绘。 内容简介（中文）： 写生桃花一枝。上题：「千年传得种，二月始敷华。」钤「坤卦」印、「杨姓翰墨」，由钤印及书法，知为杨皇后（1162-1233）题。既钤坤卦印，画应作于1202年杨氏被立为皇后之后。画无款，与马远〈倚云仙杏〉尺幅、构图相近，画风技法更近马麟传世作品，被推定为马麟作。品赏桃花为宫中盛事，宫苑中观桃处名为「桃源」。题诗引用仙桃树三千年才结一实的典故，强调桃花的出尘与珍贵。画中桃花勾勒灵活生动，设色敷染细腻，流露超凡气质。(20101015) 内容简介（英文）： In this painting of a branch of peach blossoms depicted from life is an inscription at the left that reads, “Planted for thousands of years ago, in the second month they begin to flourish.” Appearing next to it are impressions for two seals reading, “Kungua” and “Yang xing hanmo” (Calligraphy by Née Yang). Judging from the seals and calligraphy, we thus know the writing was done by Empress Yang. The “Kungua” seal indicates that the painting was done after she had been promoted to the rank of Empress in 1202. Though the work has no signature of the artist, it is very close in size, composition, and style to Ma Yuan’s “Apricot Blossoms.”The appreciation of peach blossoms was a major event at court, and places in the Imperial Palace for viewing peach blossoms were known as the “Peach [Blossom] Spring.” The inscribed poetry cites from the peach tree of immortality that bears fruit only once every 3,000 years, emphasizing the otherworldly rarity of the peach blossom. Here, the peach blossoms were outlined with nimble yet lively lines, the coloring in delicate washes to reveal an extraordinary disposition.(20101015) 内容简介（英文）： Ma Yüan, style name Chin-shan, was a native of Ho-chung, Shansi Province. He served in the Imperial Painting Academy under the Southern Sung emperors, Kuang-tsung and Ning-tsung. His father, grandfather, and son were all talented painters. His landscapes, figures and bird/flower paintings are simple, but of the very finest quality. This album leaf is number eight in the National Palace Museum's "Album Leaves Through the Dynasties." It depicts a branch of peach blossoms. The brush and ink work are wonderfully elegant and rich in meaning. Although the painting is unsigned, there is an inscription by the Empress Yang in the upper right portion of the painting. The National Palace Museum collection also contains Ma Yüan's "Apricot Blossoms" which is similar to this painting in terms of size, brushwork, color, colophons and seals. Moreover, "Apricot Blossoms" bears the four character signature, "Painted by Your Subject, Ma Yüan." On the basis of this comparison, we realize that the anonymous painting "Peach Blossoms" was also painted by Ma Yüan.