书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乐善堂图书记
收传印记：平生真赏
收传印记：吴氏家珍

题跋资料:

题跋类别：作者款识；作者：曹妙清；题跋位置：本幅；款识：女史曹妙清  印记：妙清之印

题跋类别：题跋；作者：侯峒曾；题跋位置：本幅；款识：无； 翡翠花开络纬鸣。若教纺织不停声。秋风处处催刀尺。惊起佳人擣月明。侯峒曾题。钤印一。侯峒曾印。印记：侯峒曾印

主题:

主要主题：树木松 主要主题：花草萱花 

技法:

写意 

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页735 收藏着录： 故宫书画录（卷六），第四册，页240-243 收藏着录： 故宫书画图录，第二十八册，页356-363 参考书目： 1.〈明　曹妙清　牵牛花〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页206。 内容简介（中文）： 曹妙清，元末明初女画家，钱塘（今杭州）人。字比玉，号雪斋。善鼓琴，工诗书画。本幅选自＜历代集绘册＞，绢本重彩，小景边角构图，画牵牛花缘竹枝蔓生。自古青绿多施于山水，此件独应用于花卉。以白粉、石青模拟牵牛花介于蓝、紫之间的微妙花色；并以明亮的石绿着牵牛藤叶，和竹叶深绿形成对比，又以石青点染竹叶亮处，呼应花瓣色泽。全幅布景设色甚精致，为闺阁画家慧心巧艺代表作。(20110102) 内容简介（英文）： Cao Miaoqing was a woman artist from Qiantang (modern Hangzhou) during the late Yuan and early Ming dynasties. Going by the style name Biyu and the sobriquet Xuezhai, she excelled at playing the drum zither and was gifted at poetry, calligraphy, and painting as well.This work, selected from “Album of Collected Paintings Through the Ages,” is done in heavy colors on silk. It employs an intimate one-corner composition to depict a morning glory plant entwined around bamboo. Since antiquity, blue and green pigments have traditionally been used for landscapes, but this work stands out for its use in flower painting. Applications of white pigment and mineral blue simulate the minute gradations of color in the morning glory from blue to purple. Bright mineral green was also used for the morning glory leaves, which contrast with the dark green of the bamboo leaves. Mineral blue highlights the brighter areas of the bamboo leaves as well, echoing the hues of the flower petals. The arrangement and coloring throughout the work is thus exquisite, representative of the wisdom and skill of this woman artist.(20110102)