书体:

色彩:

设色

装裱形式:

册(推蓬装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：吴彬；题跋位置：本幅；款识：登高；书体：篆书；全文： 印记：文中制、吴彬之印

主题:

主要主题：节令与二十四节气重九 主要主题：山水秋景九月；其他主题：山水山径 ；其他主题：山水溪涧、湍泉湍泉；其他主题：山水瀑布 ；其他主题：山水云 ；其他主题：人物高士（士人、隐士） ；其他主题：人物侍从（侍女、童仆）童仆；其他主题：人物百姓 ；其他主题：树木  ；其他主题：树木松 ；其他主题：建筑台阁 ；其他主题：建筑房舍 ；其他主题：器用家俱（屏风）桌、椅；其他主题：建筑亭 ；其他主题：建筑桥 ；其他主题：建筑篱笆、围墙篱笆；其他主题：走兽鹿 

技法:

工笔 界画 皴法 人物衣纹描法(匀称线条) 苔点 

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页433 收藏着录： 故宫书画录（卷六），第四册，页63 收藏着录： 故宫书画图录，第二十三册，页70-75 参考书目： 1.林莉娜，〈明吴彬岁华纪胜图〉，收入林莉娜编，《秋景山水画特展图录》（台北：国立故宫博物院，1989年十月初版），页79-80。 内容简介（中文）： 此册描写一年十二胜景，于篆书标题下皆有吴彬钤印。后期展出中元、玩月、登高、阅操、赏雪、大傩等六幅。画中景物细腻生动，山林造型奇特、设色淡雅，显出纤丽巧态。以时序活动为主题，构景多描绘江南景观。如登高景中有山形奇特，学者推测为南京近郊牛首山。而无论是玩月、登高、阅操、赏月，皆能与明人生活逸事呼应，全册兼具月令岁时与佳景记胜特色。(20121018) 内容简介（中文）： 吴彬，字文仲，福建莆田人，流寓金陵（今南京）。万历（西元一五七三至一六一九年）间，以书画闻名于世。所绘人物，形状奇特，不同于前人，自成一家。山水画布置亦极新奇而不摹古。 本幅为岁华纪胜图册第九幅，乃描绘九九重阳登高之节庆活动。苍崖翠磴，间以枫林，小桥流水村舍，点缀于山陬林隙，层崖之顚，小亭翼然，山中游人联袂褰裳，登高遐望，尽吟啸之乐。 内容简介（英文）： Wu Pin, style name Wen Chung, was a native of Pu-t’ien, Fukien, but he spent most of his life in Chin-ling (modern Nanking). He lived during the reign of the Wan-li emperor, and his skill at calligraphy and painting earned him fame and position. In figure painting, he departed from tradition and created strange and eccentric forms. His landscape compositions were equally unusual and innovative. This leaf is the ninth in the album “A Record of Yearly Observances.” It depicts the practice of celebrating the ninth day of the ninth lunar month by climbing to the top of a high mountain. Maple forests cover azure cliffs and verdant ledges; small bridges over flowing water and country homes dot the landscape. On the mountaintop, a group of travellers has gathered in a small pavilion to gaze at distant views, and celebrate with joyous chanting. 内容简介（英文）： This album includes beautiful scenes associated with each of the twelve lunar months. Below the titles in seal script are impressions of Wu Bin’s seals. The second part of the exhibit presents six paintings for the latter half of the year: the Ghost Festival, appreciating the moon, ascending the heights, reviewing troops, enjoying the snow, and dispelling evil spirits. The scenery in each is delicate and animated, the mountain forests unusual in form and the coloring light and elegant, reflecting fine beauty and a skillful manner. The themes arranged chronologically are depicted against backdrops of Jiangnan scenery. For example, ascending the heights reveals unusual mountain scenery, which scholars associate with Oxhead Mountain on the outskirts of Nanjing. Whether it be appreciating the moon, ascending the heights, reviewing the troops, or enjoying the snow, all correspond to anecdotes in Ming dynasty life, combining records of the year with beautiful scenery.(20121018)