书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：棠邨审定
收传印记：蕉林玉立氏图书

题跋资料:

题跋类别：题签；    黄筌雪竹文禽

主题:

主要主题：花草梅（白．红．蜡梅） 主要主题：翎毛鸭．凫小水鸭一对；次要主题：翎毛八哥（鸲鹆）八哥四只；其他主题：山水冬景（雪景）雪景；其他主题：山水江河、湖海 ；其他主题：树木竹 ；其他主题：花草芦苇 

技法:

工笔 皴法 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2490 收藏着录： 故宫书画录（卷六），第四册，页180 收藏着录： 故宫书画图录，第二十九册，页152-159 参考书目： 1.葛婉章，〈黄筌雪竹文禽〉，收入国立故宫博物院编，《宋代书画册页名品特展》（台北：国立故宫博物院，1995年初版一刷），页288-289。2.谭怡令，〈「七十件书画册页名品特展」精选(六) — 黄筌雪竹文禽〉，《故宫文物月刊》，第152期（1995年11月），页74。3.谭怡令，〈雪竹文禽〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页372。 内容简介（中文）： 本幅为「名绘集珍」册第七幅。枯柳上栖八哥，寒梅、雪竹横斜在柳石间。水滨丛苇负雪，偃仰有致。波上见水鸭一双，唼喋远游而至。幅中树石等实景均置于幅左，右方虚处仅配以面积极小的禽鸟，两相映对，益能展现虚实与灵动的特质。此画原无名款，清代收藏家梁清标（西元一六二０-一六九一年）定为黄筌（约九０三-九六五）所作，但观其画风，应为南宋画院之作。 内容简介（中文）： 茫茫江面，仅见觅食小水鸭，身旁略钩波纹，点出江水流动之意。近处叠石坡岸是幅中实景，枯柳上栖八哥，其一注视着小水鸭，在寒天清寂中添加生趣。 清代收藏家梁清标（1620-1691）定此为五代后蜀黄筌（约903-965）所作，然画风实不相类。幅中笔法皴纹，有夏珪「溪山清远」笔意，但较为散逸简淡。且画树多转折与干笔，八哥具写意趣味，小水鸭略钩轮廓再加点画，笔简意赅，或为夏珪之后其一系画风作品。(20101015) 内容简介（英文）： Against the backdrop of an endless river scene appears a couple of waterfowl, by the sides of which a few wave patterns are slightly outlined to indicate their movement on the water’s surface. The rocks, stacked on the slope of the bank in the foreground, form the solid part of the scenery. Perched on the branches of the barren willow tree are mynah birds, one of which stares at the waterfowl, adding a sense of life to the pure and desolate wintry sky.The Qing dynasty collector Liang Qingbiao (1620-1691) attributed this work to Huang Quan of the Latter Shu, but the style is not similar to his. Rather, the brush method and texture patterns can be likened to Xia Gui’s “Pure and Remote Mountains and Streams,” but looser and lighter in feeling. Furthermore, there are many twists and breaks to the strokes in the tree as well as dry brushwork. The mynah birds are also rendered in the “sketching ideas” manner, the waterfowl done in a few outlines to which dots were added. The brushwork is simple yet the idea complete. This is perhaps a work in the stylistic heritage after Xia Gui.(20101015) 内容简介（英文）： This is the 7th leaf from the album Collected Gems of Famous Paintings. Depicted are mynah birds perched in an old willow tree. Blossoming plum branches appear behind snow-laden bamboo with willow trees and rocks in the foreground. Shoreline reeds are laden with snow and droop under the weight. Two ducks swim over from the right. With the landscape weighted to the left, the waterfowl are isolated at the left, thus reflecting contrasts of solid/void and stillness/movement. This work bears no seal or signature of the artist, but it was attributed by the Ch'ing collector Liang Ch'ing-piao (1620-1691) to Huang Ch'üan. The style, however, suggests more of the manner of Southern Sung court painting.