书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

收传印记：黔宁子子孙孙永保之
收传印记：太子晋裔
收传印记：恒山梁天植云□氏□□□
收传印记：棠邨审定
收传印记：蕉林玉立氏图书

题跋资料:

题跋类别：题签；    吴炳嘉禾草虫

主题:

主要主题：五谷稻 ；次要主题：草虫蝶蛾蝶；次要主题：草虫蜻蜓 ；次要主题：草虫花虻 

技法:

工笔 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2490 收藏着录： 故宫书画录（卷六），第四册，页180 收藏着录： 故宫书画图录，第二十九册，页152-159 参考书目： 1.王耀庭，〈吴炳嘉禾草虫〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页65。2.刘芳如，〈中国古画里的草虫世界 — 「草虫天地」特展介绍（上）〉，《故宫文物月刊》，第220期（2001年7月），页19。3.邱士华，〈嘉禾草虫〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页374。 内容简介（中文）： 吴炳（十二世纪），江苏常洲人。南宋绍熙年间（一一九○－一一九四），曾经在宫廷画院里，担任待诏的职位。 本幅选自「名绘集珍」册。画水稻两株，在田间婷婷伫立，成串的稻穗，已经俯首低垂。蝴蝶、花虻和蜻蜓，有的兀自在空中飞舞，有的则栖息在叶梢。由于右上方的叶子，和上方的稻穗，均溢出了画幅的边界，推测可能是表面曾经遭到污损，才由大裁小，改装成现在所看到的形式。 内容简介（中文）： 画中水稻两株前后错落生长，稻叶宛若兰叶般修长柔缓地伸展着，垂下青色稻穗，四周飞舞着蝴蝶、花虻和蜻蜓。叶子和稻穗均有部分超出画幅的边界，原本或为手卷，后因损坏而裱成册页。水稻所在平面实为一片水际，除层层水纹外，还有水面下隐约的水藻。本图作者虽无法确定是题籤标示的吴炳，但可能与常州传统有关。又因图中尚无元代以后较强的图案化、装饰性表现，应可视为南宋中后期的草虫画作品。(20101015) 内容简介（英文）： In this painting are two rice plants, one in front of the other, with their long blades intersecting. The blades are as supple as orchid leaves, the long and slender quality complemented by their delicately curving reach. Light green tassels of grain droop into the space with butterflies, a gadfly, and a dragonfly there. Part of the blades and tassels of grain also extend out of the picture plane, perhaps suggesting this was once part of a handscroll that had been cut and remounted as an album leaf due to damage. The plane in which the rice plants appear is actually water. In addition to the layers of water ripples, hidden beneath the surface are water plants still faintly visible. It is not possible to ascertain whether this work was actually done by Wu Bing or not, but it might be connected to the Changzhou tradition of plant-and-insect painting. Since this work also lacks the more patterned and decorative rendering in Yuan dynasty and later depictions of this subject matter, it can thus be considered a plant-and-insect painting likely to have been done in the latter part of the Southern Song period.(20101015) 内容简介（英文）： Wu Ping, a native of Kiangsu province, was a Southern Sung court artist during the Shao-hsi era (1190-1194) and served as a Painter-in-Attendance. This leaf from the album “Collected Gems of Famous Paintings” shows two rice plants with graceful leaves bearing heavy shoots of grain and drooping under their weight. Without any further background scenery and interspersed among them are two dainty and beautiful butterflies as well as a horse fly. A dragonfly is also shown resting one of the blades of rice. The plants and insects were all rendered with exceptional detail and naturalism. Since the top and left margins of the work appear to end abruptly, this painting may have once been part of a larger one that was trimmed (perhaps due to damage) to create the present form.