书体:

色彩:

设色

装裱形式:

册(推蓬装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

鑑藏宝玺:宣统御览之宝
收传印记:司印(半印)
收传印记:式古堂书画印
收传印记:令之清玩
收传印记:仙客
收传印记:太原
收传印记:奇品(瓢印)
收传印记:□密兰□嗣祖白进章(墨印)
收传印记:泰卦(墨印)
收传印记:米□元泉石□

题跋资料:

题跋类别:题签; 裱纸 ;书体:楷书;全文:韦偃双骑图。

题跋类别:题跋;作者: ;题跋位置:本幅;款识:无;;书体:隶书;全文:唐贞观年春韦偃画。

题跋类别:题跋;作者:黄钺对幅 ;书体:行书;全文:(黄钺题句。文不录。)

主题:

主要主题:走兽马 主要主题:人物圉人 ;其他主题:器用马鞍马鞍。缰。垫

技法:

工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录: 石渠宝笈续编(重华宫),第三册,页1687 收藏着录: 故宫书画录(卷六),第四册,页182 参考书目: 1.林柏亭、张华芝,〈唐韦偃双骑图〉,收入林柏亭、张华芝编,《画马名品特展图录》(台北:国立故宫博物院,1990年元月初版),页82。2.本社,〈唐韦偃双骑图〉,《故宫文物月刊》,第30期(1985年9月),页1。 内容简介(中文): 韦偃,长安(今西安)人,居蜀。善画鞍马松石,虽传之家学,然名过其父。所画鞍马,或腾或倚,或龁或饮,或惊或止皆曲尽其妙,宛然如真,所作松石更佳,咫尺千寻,骈柯攒影,宛转极盘龙之状,千枝万叶,非经岁不成,杜甫曾有诗句讚颂其画松与画马。此幅设色画人马各二,并辔驰骋,幅左上方隶书题「唐贞观年春韦偃画」,画法遒劲。图绘双骑奔驰之状,人马神完足,笔法墨色奇古,洵为佳构。 内容简介(英文): The artist has captured the spirit of both mounts and riders as they gallop across this painting, neck and neck. A superb composition, forcefully executed, the brushwork, ink, and coloring of this piece are singularly done. An inscription in the upper left reads "Painted in the spring of 627 by Wei Yen."Wei Yen was from ch'ang-an (present-day Sian) but lived in Szechwan. From a family of painters, he became more famous than his father. The horses he painted-whether prancing or resting, foraging or drinking, startled or calm-are masterfully rendered and are extremely lifelike. His paintings of pine trees and stones are even more remarkable and required much time to complete. Actually small but seemingly monumental, Tu Fu wrote several poems in praise of Wei Yen’s paintings of pines and horses.
文章标签: 印记 题跋 全文 简介 类别 画马 资料 设色 唐韦偃

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