书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸对幅纸

释文:

印记资料:

鑑藏宝玺：古希天子
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝之宝
收传印记：□□□峰主人

题跋资料:

题跋类别：作者款识；作者：文嘉；题跋位置：本幅；款识：湖上雨晴烟未收。拍天新水正交流。偶翻残墨酬高兴。写得吴山一片秋。文嘉。钤印二。文嘉印。文休承印。；书体：行书；全文： 印记：文嘉印、文休承印题籤   ；书体：楷书；全文：明文嘉石湖秋色。

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：无；书体：行书；全文：（乾隆御题。诗文不录。）印记：齐物

题跋类别：题跋；作者：刘统勳对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：统、勳

题跋类别：题跋；作者：于敏中对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣于敏中、敬书

题跋类别：题跋；作者：观保对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣、观保

题跋类别：题跋；作者：王杰对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣、王杰

题跋类别：题跋；作者：金士松对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣、士松

题跋类别：题跋；作者：沈初对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣沈初、敬书

主题:

主要主题：山水秋景 ；其他主题：山水  ；其他主题：山水江河、湖海湖海；其他主题：人物高士（士人、隐士）士人；其他主题：人物渔夫、船夫船夫；其他主题：人物百姓 ；其他主题：树木  ；其他主题：树木杨柳 ；其他主题：建筑房舍 ；其他主题：建筑寺庙 ；其他主题：建筑塔 ；其他主题：建筑桥 ；其他主题：建筑牌坊 ；其他主题：建筑钟楼 ；其他主题：船帆船 ；其他主题：器用耕织渔猎渔网

技法:

写意 皴法披麻皴人物衣纹描法(减笔) 

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页504 收藏着录： 故宫书画录（卷六），第四册，页197 收藏着录： 故宫书画图录，第二十九册，页198-207 参考书目： 1.〈明文嘉石湖秋色〉，收入国立故宫博物院编辑委员会编，《山水画墨法特展图录》（台北：国立故宫博物院，1987年七月初版），页67-68。 内容简介（中文）： 文嘉（西元一五○一－一五八三年），江苏长洲人。征明仲子，字休承，号文水。能诗工书画，精山水，笔墨疏秀，而以韵胜。 画石湖秋景，雨后新霁，云烟未收。点画树叶先以淡墨，将干之际，再施浓墨，浓淡交融，妙到毫巓。山石皴纹，稍稍见意而已，水墨渍染，亦饶变化。画中之桥，名「行春桥」，山为「楞伽山」，山顶塔院，名「治平寺」，又名「楞伽寺」。此处为吴郡文人杖履常经之所，故吴派画中以此为主题者甚多。 内容简介（中文）： 文嘉（西元一五○一－一五八三年），字休承，号文水，文征明的次子。传承家学，能诗工书画，山水笔墨疏秀，而以韵胜。石湖在吴县西南二十里，湖山掩映，风景胜绝，是吴郡文人杖履常经之所，吴派画中以此为主题者甚多。本册画石湖秋景，雨后新霁，云烟未收，树石显得苍润清丽。画中之桥，名行春桥。山为楞伽山，山顶塔院名治平寺，又名楞伽寺。 内容简介（英文）： Wen Chia was the son of Wen Cheng-Ming. Following his father, he excelled at poetry, calligraphy, and painting. His landscape paintings are especially elegant and harmonious.Stone Lake is located 20 kilometers southwest of Soochow and is one of the area's scenic sites noted for beautiful hills and lakes. Wu School artists often made it the subject of their paintings. In this album, the autumn scenery of Stone Lake is shown after rain, just before the mist evaporates. Trees and rocks have a luxuriant beauty to them. Spring Bridge and Mt. Leng-chia are seen, while the pagoda and courtyard on the mountain belong to Chih-p'ing Temple (also known as the Leng-chia Temple). 内容简介（英文）： The Autumn Colors of Stone LakeWen Chia (1501-1583)Ming Dynasty Wen Chia, Second son of the famous artist Wen Cheng-ming (1470-1559), was a native of Ch’ang-chou, Kiangsu. His style name was Hsiu-ching and his sobriquet, Wen-shui. An accomplished poet, calligrapher, and painter, he excelled at landscape painting, in which he is known for his exquisite, rhythmic brushwork. In this autumn scene of Stone Lake, the sky has just cleared after a storm, leaving some clouds still hanging in the sky. The leaves of the trees are particularly well done; dark ink was applied to a preliminary layer of light ink just as it began to dry, and thus the two layers blended together. The modeling lines and texture-strokes of the mountains and rocks are etched in only lightly, the washes of ink transforming the stone. The bridge in the painting is called “Traveling-in-Spring Bridge;” the mountain is called “Leng-chia Mountain;” and the pagoda and courtyard on the peak belong to the place known as both “Chih-p’ing Temple” and “Leng-chia Temple.” The area depicted here was frequently visited by the literati of the surrounding Wu Prefecture, and it often became the subject matter for artists of the Wu School of painting, which flourished in the fifteenth and sixteenth centuries.