书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：陈洪绶；题跋位置：本幅；款识：云谿山民洪绶。画于静远居。；书体：草书；全文： 印记：章侯、陈洪绶印

主题:

主要主题：佛道人物神、仙三星；次要主题：花草梅（白．红．蜡梅） ；次要主题：花草灵芝 ；次要主题：器用枴杖 

技法:

工笔 人物衣纹描法(匀称线条) 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页371 收藏着录： 故宫书画录（卷五），第三册，页477 收藏着录： 故宫书画图录，第九册，页83-84 参考书目： 1.〈明陈洪绶三星图〉，收入国立故宫博物院编，《晚明变形主义画家作品展》（台北：国立故宫博物院，1977年九月初版），页438。 内容简介（中文）： 陈洪绶（西元一五九八－一六五二年），浙江诸暨人。字章侯，早年自号莲沙弥，后号老莲。明亡后，又号悔迟、勿迟。自小即富绘画天才，四岁曾于白壁画关公像，善山水，尤工人物。与崔子忠齐名，号南陈北崔。　福禄寿三星，二人拄杖，有持梅枝者，亦有执灵芝者。傅色清雅，线条清细圆劲，当为高古游丝描一系。陈洪绶属变形主义，画人物喜用夸张手法，作物体的变形。比例上往往不按规矩，或奇或怪，或加以扭曲，却别有谐趣。 内容简介（英文）： The Gods Happiness, Prosperity, and LongevityCh’en Hung-shou (1598-1652)Ming Dynasty Ch’en Hung-shou was a native of Chu-chi, Chekiang. Ch’en was an excellent painter of landscapes, but he is especially known for his figure painting. Together with his contemporary Ts’ui Tzu-chung (1600-1652), they are referred to as “Ch’en of the south and Ts’ui of the north.” In this portrait of the symbolic gods Happiness, Prosperity and Longevity, two are shown with staffs, one holds a sprig of plum, and another grasps the ling-chih immortal fungus. Colors are applied with clarity and elegance. Lines are painted delicately but with a quality of tensile strength. The brushstrokes belong to the lineage of the “gossamer stroke”, derived from the painting of high antiquity. Ch’en Hung-shou belongs to the school of the transformed style. His figures are painted with exaggerated features, transforming their physical aspects. Proportions are not established according to the rules. Some of the figures are strangely painted, with twists and turns, imparting an element of humour to Ch’en’s art.