书体:

色彩:

设色

装裱形式:

轴

创作时间:

清世祖顺治九年（1652）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：刘度；题跋位置：本幅；款识：壬辰（西元一六五二年）仲冬倣赵承旨画法。刘度。；书体：行书；全文： 印记：刘度之印、叔宪

主题:

主要主题：山水春景 ；次要主题：山水溪涧、湍泉 ；次要主题：树木松 ；次要主题：花草桃花 ；其他主题：山水山径 ；其他主题：人物高士（士人、隐士） ；其他主题：人物侍从（侍女、童仆） ；其他主题：树木  ；其他主题：建筑台阁 

技法:

皴法 人物衣纹描法(匀称线条) 苔点 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页484-485 收藏着录： 故宫书画图录，第九册，页207-208 参考书目： 1.王耀庭，〈明刘度山水〉，收入王耀庭编，《青绿山水画特展图录》（台北：国立故宫博物院，1995年七月初版一刷），页94。 内容简介（中文）： 刘度（约一六三三－一六七一年）字叔宪，钱塘（今浙江杭州）人。为晚明职业画家，山水近师蓝瑛，远承李思训、赵伯驹等北宗画法，设色明丽。本幅画山中绿树成荫，曲径通幽，延伸向高处的钟乳石洞，道旁并有高士对坐清谈。款题中虽未述明主题，但就地形特征研判，所绘当是宜兴的张公洞。画法系以青绿重彩施于山巅和树丛，与坡石的黄赭色对比之下，益显缤纷醒目。(20121016) 内容简介（中文）： 刘度（约一六三三－一六七一年）字叔宪，浙江钱塘（今杭州）人。山水师法蓝瑛，追摹李思训、赵伯驹等北宗画法，而以秀丽见长。设色豔丽、仕女楼阁俱工致，为明代职业画家代表人物之一。幅中曲径通往钟乳石山洞，道旁有高士对谈。作者虽无题款说明所画主题，就当时习好，所画当是宜兴张公洞。画法上青绿颜色只施于少数山头，与同幅中赭色对比，益显出色。这也是青绿山水以少许来表答的一种方式。 内容简介（英文）： Liu Tu (style name Shu-hsien) was a native of Hangchou, Chekiang. For landscape painting, he studied the style of Lan Ying and copied paintings by Li Ssu-hsün, Chao Po-chü and other Northern Sung artists. He strove to develop a refined, beautiful style, and he was able to produce exquisite colors. He was also skilled in painting female figures and architecture. Liu Tu is representative of professional painters in the Ming dynasty. In the center of the composition, a winding path leads to a mountain cave adorned with stalactites. Beside the path scholars chat. Although the artist did not inscribe the painting with an explanation of the subject, in comparison with Jade Cave in the Mountains of the Immortals by Lu Chih, the subject matter must be the Chang-kung Cave in I-hsing. In terms of painting style, Liu Tu added blue and green to only a few of the mountain peaks. However, the colors stand out from the general umber cast of the painting. This is a variation of blue-and-green landscape painting in which colors are used sparingly. 内容简介（英文）： Liu Du (style name Shuxian) was a native of Qiantang (modern Hangzhou, Zhejiang). A late Ming professional painter, his landscape style approached that of Lan Ying as he looked back to the Northern School styles of Li Sixun and Zhao Boju to create works with opulent coloring. This painting depicts shady trees in the mountains, a winding path leading up to a grotto with stalactites. Beside the path are lofty scholars chatting. The artist did not explain the subject matter, but judging from the geologic formation, it probably depicts the Cave of Master Zhang in Yixing. The painting style was done in blue and green colors for the peaks and forests, making them stand out against the ochre used for the earthen forms.(20121016)