书体:

色彩:

水墨,浅设色,泥金

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

主要主题：佛道人物观音以普门品经墨书成主要主题：走兽龙 ；次要主题：山水云 ；次要主题：人物孩童观音怀抱；其他主题：树木杨柳柳枝；其他主题：经史‧故事 观音送子；其他主题：器用宗教器用小杯、如意、火珠

技法:

白描 工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页213 收藏着录： 故宫书画录（卷五），第三册，页503-504 收藏着录： 故宫书画图录，第九册，页313-314 参考书目： 1.葛婉章，〈明人画观世音菩萨普门品经像〉，收入葛婉章编，《妙法莲华经图录》（台北：国立故宫博物院，1995年初版），页120。2.葛婉章，〈明人画观世音菩萨普门品经变〉，收入葛婉章编，《妙法莲华经图录》（台北：国立故宫博物院，1995年初版），页123。3.李玉珉，〈明人观世音菩萨普门品经像〉，收入李玉珉主编，《观音特展》（台北：国立故宫博物院，2000年初版），页212-213。4.葛婉章，〈无缘大悲　观达自在 — 院藏「普门品」观音画探究〉，《故宫文物月刊》，第112期（1992年7月），页40-41。 内容简介（中文）： 这幅画轴画一位中年妇女手抱孩童，右手拿着一枝杨柳，左手捧着一个水碗，是一尊送子观音。这尊观音的世俗色彩浓厚，祂眼睛散放着悲愍的光芒，好像一位慈祥的母亲。祂的脸形、发丝、手脚都用淡墨细笔画成，笔力稳健。可是衣纹则是用楷书抄录《法华经．普门品》的经文来表现，全文从观音菩萨左臂靠近孩童的头部开始，字字连续，字迹端秀，一丝不苟，充分表现了作者虔诚的宗教情怀。 内容简介（中文）： 明宣宗（西元一四二六—一四三五年）雅好丹青，留心绘事，宫廷绘画艺术发展蓬勃，佛经插图水准亦高。本卷有别于一般变相之图于经前经尾，而远溯六朝传统，以「左图右史」方式图解普门观音事蹟，前后四十二幅插画贯穿全经，人物形象优美生动，描金线条细腻灵活，将「救难无碍」与「化身无量」两大特质的大悲观音，表现的栩栩如生。本幅选自明宣宗宣德七年（西元一四三二年）泥金写本﹝妙法莲华经观世音菩萨普门品﹞。 内容简介（中文）： 送子观音手抱孩童，右手拿杨柳，左手捧水碗。《法华经．普门品》教导求子心切的妇女礼拜供养观世音菩萨，便能生下福德智慧的男子，或是面貌端庄的女子。画中观音衣纹以楷书抄录经文近两千字，由观音左臂靠近孩童头部开始，字字连续秀整，反映虔诚宗教情怀。观音及孩童面目、手脚以淡墨细笔勾勒，由人物开面、体态、发髻样式及回首姿态，本幅观音当为晚明作品。(20091016) 内容简介（英文）： This work shows “Guanyin Bestowing Children” with a child, holding a willow branch in her right hand and a water cup in her left. The “Universal Gate” chapter of the Lotus Sutra states that women who want a child should pray and make offerings to Guanyin so they can give birth to a wise son or beautiful girl. The drapery lines here consist of tiny characters from the sutra in regular script. The text starts from Guanyin’s left arm near the child’s head and continues character-for-character in elegant script, revealing the devotion of the artist. The face, hair, hands, and feet of the figures are all in fine outlines of light ink using strong yet steady brushwork. The face, pose, hairstyle, and turning of the figure suggest that this is probably a late Ming work.(20091016) 内容简介（英文）： Emperor Hsüan-tsung (r.1426-1435) was fond of studying painting, and court painting flourished during his reign. The quality of illustrations of Buddhist sûtras was also very high. The entire content of this volume is the Samanta-mukha Chapter of the Lotus Sûtra which is dedicated to Kuan-yin. 42 illustrations appear throughout the text, and this type of format in which text and illustrations alternate originates from a tradition beginning in the Six dynasties. The painted figures are graceful and moving, and the precise gold lines enliven the illustrations, making the bodhisattva Kuan-yin, who saves beings from all calamities and appears in countless manifestations, a truly animate and lifelike deity. 内容简介（英文）： This hanging scroll shows a lady holding a child. She holds a willow branch in her right hand and a water cup in her left. Representing Kuan-yin Bestowing Children, she has very down-to-earth features and a visage that emanates sympathy and compassion, like that of a kind and loving mother. Her face, hair, hands, and feet were all done with fine strokes of light ink using a strong yet steady brush. The drapery lines, however, are composed of tiny characters transcribed from "The Kuan-yin Chapter" of the Lotus Sûtra in regular script. The text starts from the left arm of Kuan-yin near the head of the child and continues character-for-character in fine elegant script, revealing the religious dedication of the artist.