书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢拖尾纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：（二印仅存边框）

题跋资料:

题跋类别：题跋；作者：文征明拖尾戊午（西元一四九八年）春日。征明。；书体：行书；全文：十里一置飞尘灰。五里一堠丘火催。颠坑仆谷相枕借。知是荔枝龙眼来。飞车跨山鹘横海。风枝露叶如新采。宫中美人一破颜。惊尘溅血流千载。永元荔枝来交州。天宝岁贡取之涪。至今欲食林甫肉。无人举觞酹伯游。我愿天公怜赤子。莫生尤物为疮痏。雨顺风调百谷登。民不饥寒为上瑞。君不见。武夷谿边粟粒芽。前丁后蔡相笼加。争新买宠各出意。今（点去）年年鬪品充官茶。吾君所乏岂此物。致养口体何陋耶。洛阳相君忠孝家。可怜亦进姚黄花。　右荔枝叹。苏长公作也。偶有客持钱舜举所画荔枝卷索题。因为书此。戊午（西元一四九八年）春日。征明。印记：文征明印、衡山、停云

主题:

主要主题：果蔬荔枝 ；其他主题：翎毛寿带 ；其他主题：草虫蝶蛾 ；其他主题：翎毛  

技法:

工笔 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1049 收藏着录： 故宫书画录（卷八），第四册，页36 收藏着录： 故宫书画图录，第十六册，页417-422 内容简介（中文）： 钱选(西元1239-1301年)字舜举，号玉潭、巽峰、清瞿老人、习嬾翁，宋景定间进士。宋亡不仕，为吴兴八俊之首。工诗，善书画，人物师李公麟，山水师赵令穰，青绿山水师赵伯驹，尤善折枝，多写花鸟。本幅画荔枝一株，垂实烂漫，傅色鲜豔。布局上密而下疏，主题显著，非一般折枝作品，盖由写生而来。 内容简介（中文）： 本幅画荔枝啼鸟，布局呈现自然生态，非一般折枝作品，盖由写生而来，用笔细劲，傅色鲜豔雅致，盎然生气中别有意态。钱选(西元一二三九—一三○一年)，宋景定间进士，宋亡不仕。善书画，提倡复古，人物师李公麟，山水师赵令穰，青绿山水师赵伯驹，花竹翎毛师赵昌，以文人画笔法即兴创作，表现生拙之趣。此卷旧题钱选作，从画风看，应是明代晚期的托名之作。(20110405) 内容简介（英文）： This work shows birds on a lichee branch. The arrangement is natural and lifelike, not like “broken-branch” compositions. In the “sketching-from-life” manner, the brushwork is fine yet strong with colors rich and elegant, brimming with vitality. Qian Xuan was a native of Wuxing, Zhejiang. A Presented Scholar of the Jingding reign, he did not seek office after the fall of the Song. He excelled at painting and calligraphy, promoting revivalism. In figures, he followed Li Gonglin, in landscapes Zhao Lingrang, blue-and-green landscapes Zhao Boju, and birds and flowers Zhao Chang. Using literati brush methods to innovate, his manner was lively yet archaic. Though attributed to Qian Xuan, the style here suggests it is dated to the late Ming (1368-1644).(20110405) 内容简介（英文）： Ch'ien Hsuan, style name Shun-chu, sobriquets Yu-tan, Hsun-feng, Ch'ing-chu Lao-jen and His-lan-weng, obtained his "chin-shih" degree during the Ching-ting period (1260-1264). In the early years of the Yuan dynasty, Ch'ien Hsuan was considered the leader of the so-called "Eight Eminents of Wu-hsing ." He was famous for his poetry and calligraphy. He excelled at figure, landscape and bird-and-flower paintings. In depicting figures, he followed the style of Li Kung-lin; in landscape, he studied the manner of Chao Lin-jang and Chao Po-chu;and in bird-and-flower painting, he was especially good at "Che-chih" style which depicts only one or two branches of the plant. However, in this scroll the artist did not depict a few branches, he painted a tall lichee tree from life using rich colors. The upper portion of the painting is filled with green foliage and red lichee fruits bring ing out the subject-matter of the painting.