书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙

题跋资料:

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：乾隆丁丑春二月御赞；书体：行书；全文：（乾隆丁丑御题。诗文不录。）

主题:

主要主题：佛道人物罗汉（应真、尊者） ；次要主题：器用宗教器用经卷；其他主题：器用服饰（对人）鞋、袜 ；其他主题：器用家俱（屏风）木椅；其他主题：花草  

技法:

皴法 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），第一册，页66 收藏着录： 故宫书画录（卷八），第四册，页54 收藏着录： 故宫书画图录，第一册，页113-114 参考书目： 1.李玉珉，〈明末罗汉画中的贯休传统及其影响〉，《故宫学术季刊》，第二十二卷第一期（2004年秋），页99-143。 内容简介（中文）： 罗汉，原指佛教中个人修行的一种境界。唐代的《法住记》阐明罗汉不只是独善其身的修行者，也坚持其常住世间，普渡众生，在现世中担任护法、弘法的使命。此后，绘画作品中就常以之画题，五代时贯休的「罗汉图」就是有名的例子。贯休，又称禅月大师。所画皆为梵像，状貌奇特，风骨独树一格，影响后世塑画罗汉形象至为深远。此图虽旧传为贯休所绘，由其画风看来，当是明人所仿。 内容简介（英文）： The term lohan originally referred to disciples of the Buddha who achieved a realm of personal cultivation. The T'ang (618-907) text "Record of Buddhism in This World" describes how lohans were not just individuals who excelled at personal cultivation, but that they remained in this world to help all beings. They also protect and expound the Buddhist faith. Afterwards, they became a popular subject in painting, and perhaps the most famous works were those by the monk-painter Kuan-hsiu.Kuan-hsiu, also known as Master Ch'an-yüeh, painted Buddhist images with his unique style. His lohan paintings had a major influence on later representations. Though this is attributed to him, the style suggests it is a Ming (1368-1644) imitation.