书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

明孝宗弘治十七年（1504）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：乾坤清气
收传印记：休宁朱之赤珍藏图书
收传印记：神物护持

题跋资料:

题跋类别：作者款识；作者：史端木；题跋位置：本幅；款识：平生落魄放江乡。诗酒为期作醉狂。写幅云烟消白昼。得些风月看红妆。天真自不知工拙。理性从人较短长。却有南宫能鉴赏。时人几箇识苏黄。金台杨天泽。过痴楼。谈及乃兄天德。知痴之为人。能鉴痴之拙笔。可为米南宫能鑑赏也。因作此以赠之。江东痴史写。（缺二字）。十七年岁甲子（西元一五０四年）立春后一日也。；书体：行书；全文： 印记：癡翁

主题:

主要主题：山水  ；次要主题：建筑房舍 ；次要主题：建筑茅草屋 ；其他主题：人物高士（士人、隐士）4人；其他主题：人物侍从（侍女、童仆）童仆1人；其他主题：器用家俱（屏风）椅；其他主题：山水瀑布 ；其他主题：山水溪涧、湍泉溪涧；其他主题：建筑寺庙 ；其他主题：树木  

技法:

写意 皴法 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1146 收藏着录： 故宫书画录（卷八），第四册，页89 收藏着录： 故宫书画图录，第六册，页341-342 参考书目： 1.〈明史忠仿黄公望山水〉，收入陈阶晋、赖毓芝主编，《追索浙派》（台北：国立故宫博物院，2008年初版一刷），页183。2.邱士华，〈明史端木仿黄公望山水〉，收入何传馨主编，《山水合璧：黄公望与富春山居图特展》（台北：国立故宫博物院，2011年五月初版一刷），页335-336。 内容简介（中文）： 史忠（1438-？）本姓徐，名端木，号癡翁，金陵人。善画山水，纵笔挥洒，有行云流水之趣。此轴作于1504年，是史忠赠予知己杨天德的作品。前景画溪畔茅屋数间，其后山巖耸峙，林峦间深藏宫观，并有瀑布直泻而下。此图以淋漓淡墨营造湿润山气，虽不着意于仔细描绘山林间各式物像，却成功营造出云雾蒸腾之际，山景的幻变莫测，类似〈富春山居图〉以率逸的淡墨长皴，描绘山峦林木源源不绝的生意。(20110609) 内容简介（中文）： 史忠（西元一四三八年生），本姓徐，名端本，字廷直。十七岁方能言，外呆内慧，人以癡呼之，因号癡翁，又称癡仙，又号癡癡道人，金陵（今南京）人。善画，似方从义，长于云山图，潇酒不群。其山水树石，纵笔挥写，不拘家数。兼善人物、花木、竹石，亦有奇趣。 起首画山石茅舍，为林木环掩，后石壁耸立，其上林木、悬泉、寺宇错落其间。此图用笔洒脱，淡墨淋漓，极高远之致。其中点景人物和林木画法似受沈周影响。 内容简介（英文）： Shih Chung was originally named Hsü Tuan-pen. His style name was T’ing-chih. He couldn’t speak until he was seventeen years old. Although he appeared to be mentally deficient, he was in fact quite intelligent. Therefore, he chose the sobriquets Ch’ih-weng (Dotard), Ch’ih-hsien (Fool). Ch’ih-ch’ih tao-jen (Stupid-stupid-taoist). He was a native of Chin-ling (modern Nanking). He specialized in paintings in the style of Fang Ts’ung-i and also in painting of cloud-encircled mountains. His paintings are elegant and of a superior quality. His landscapes were executed in an unrestrained manner. He also painted figures, flowers and birds, and strange rocks in an original manner. This painting depicts a thatched cottage and rocks surrounded by trees. The mountain in the background towers over the scene, and is itself covered with trees, waterfalls, and temples. Elegant brushwork and light ink contribute to the overall refinement of this work. The style of the figures and trees show the influence of the Ming dynasty painter Shen Chou. 内容简介（英文）： Shi Zhong (original name Xu, name Duanmu, sobriquet Chiweng), a native of Jinling, was good at landscape painting and excelled at brushwork free and easy like floating clouds and flowing water. This hanging scroll from 1504 is a work presented by Shi Zhong (Duanmu) to his close friend Yang Tiande. The foreground depicts some thatched houses by the bank of a stream. Behind are precipitous mountains with a Taoist temple tucked away among the forested peaks as a cascade falls on the other side. The extremely moist shades of ink create a lush and humid mountain scene. Although less attention was paid to the various motifs in the mountains and forests, it still successfully creates an evanescent scene of clouds and mist in which the illusory depths are difficult to fathom. The long texture strokes in light ink are similar to the free and direct form of expression in “Dwelling in the Fuchun Mountains,” describing the unending vitality of mountains and forests.(20110609)