书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：沈周；题跋位置：本幅；款识：雪里高踪为探梅。独骑瘦马踏寒来。西湖第六桥头路。扑鼻新香已试开。沈周。；书体：楷书；全文： 印记：启南

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：辛亥春。用沈周韵。御题。；书体：行书；全文：（乾隆辛亥御题。诗文不录。）印记：八征耄念、自彊不息

主题:

主要主题：山水冬景（雪景）雪景；次要主题：建筑亭 ；其他主题：山水瀑布 ；其他主题：树木寒林．枯树寒林；其他主题：树木竹 ；其他主题：走兽骡．驴驴；其他主题：建筑桥 ；其他主题：器用伞 ；其他主题：树木  ；其他主题：山水溪涧、湍泉湍泉；其他主题：山水江河、湖海江河；其他主题：人物高士（士人、隐士）高士；其他主题：人物侍从（侍女、童仆）侍从

技法:

皴法 苔点 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1609 收藏着录： 故宫书画录（卷八），第四册，页76 收藏着录： 故宫书画图录，第六册，页245-246 参考书目： 1.林莉娜，〈明沈周画雪景〉，收入林莉娜、张华芝编，《冬景山水画特展图录》（台北：国立故宫博物院，1989年元月初版），页62。2.江兆申，〈沈周画雪景　轴〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页297。 内容简介（中文）： 雪景大幅，笔极劲挺，沈周六十岁左右作品，大抵如是。传世之作，可供比较者，美国波斯顿艺术博物馆所藏之十四月夜卷，及台北私人收藏之灞桥诗思卷皆六十岁所画。惟两卷幅小而又为纸本，笔皆较此精练耳。桥上小驴，与灞桥卷上所画皆短面而肥颊，惟一赭一墨，毛色异耳。对山巖穴中飞泉激泻，造意命笔，与纽约翁万戈先生藏文沈合卷相同。此帧无年款，定为弘治丙午（一四八六），沈周六十岁。 内容简介（中文）： 沈周（西元一四二七至一五○九年），江苏长洲人。字启南，号石田，又号白石翁。为人宽厚有大度，能诗文，工书法，又善山水，并兼工墨画花果、翎毛等。画史上被誉为明代四大画家之一。 本幅画雪景，大地一片白茫茫。士人渡桥探梅，仆从持伞随行，对山巖穴中，飞泉激泻。前景平阔，一望无遗，后方高峯突起，曲径通幽。画法用笔劲挺，沈周六十岁左右作品，大抵如此。 内容简介（英文）： Snow SceneShen Chou (1427-1509)Ming Dynasty Shen Chou (style name Ch’i-nan, sobriquets Shih-t’ien and Pai-shih-weng) was a native of Ch’ang-chou in Kiangsu. An accomplished scholar, he was an able poet, essayist, and calligrapher as well as an excellent painter. Although Shen Chou is best known for his landscapes, he was also talented in depicting flowers, fruits, vegetables, birds and figures in ink. He has been proclaimed as one of the Four Masters of the Ming dynasty. The earth is covered by a boundless layer of whiteness in this winter scene. A scholar midway across the bridge stops to gaze at plum blossoms, while a servant behind him holds up an umbrella. From a deep crevice in the mountain face, a waterfall surges forth. The foreground scene, in its expansiveness, is rich with details. Tall peaks rise sharply in the background, and a winding path leads back into a secluded place. The brushwork is vigorous and firm, typical of the works by Shen Chou when he was about 60 years of age. 内容简介（英文）： Snow SceneShen Chou (1427-1509)Ming dynasty The brushwork in this large scroll is extremely vigorous and blunt; most paintings executed when Shen Chou was around 60 share this quality. Of his surviving works, we can bring together for comparison “Watching the Mid-autumn Moon” in the Boston Museum and “Poetic Thoughts on the Pa Bridge”, in a private collection in Taipei, both painted when the artist was 59. Both are short handscrolls on paper and are mare fully developed and confident than this large hanging scroll painted on silk. The small donkey on the bridge in “Snow Scene”, with its short head and thick muzzle, is very close to the donkey in “Poetic Thoughts on the Pa Bridge”; the only difference is that one is brown, the other black. A waterfall cascades from a grotto in the cliff face; both the idea and its treatment are similar to a handscroll by Shen Chou and Wen Cheng-ming in the collection of Mr. Wango Weng in New York. The painting is not dated but was probably done in 1486, when Shen Chou was 59 years old.