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鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：唐岱；题跋位置：本幅；款识：风雨归舟图。唐岱敬画。；书体：行楷书；全文： 印记：唐岱印、毓东主题:
主要主题：山水雨景 ；次要主题：山水江河、湖海江河（浪涛）；次要主题：建筑水榭 ；次要主题：船 一艘；其他主题：树木 ；其他主题：树木杨柳 ；其他主题：建筑寺庙 ；其他主题：建筑房舍 ；其他主题：器用伞 ；其他主题：器用文玩（琴棋书画）书；其他主题：器用花器 ；其他主题：器用家俱（屏风）桌、椅；其他主题：树木松 ；其他主题：人物百姓百姓四名；其他主题：花草芦苇 ；其他主题：人物渔夫、船夫船夫二人；其他主题：人物高士（士人、隐士）士人一位；其他主题：人物侍从（侍女、童仆）童仆一人技法:
皴法披麻皴人物衣纹描法(粗细线条) 苔点参考资料:
收藏着录： 石渠宝笈初编（养心殿），上册，页677 收藏着录： 故宫书画录（卷八），第四册，页116 收藏着录： 故宫书画图录，第十二册，页367-368 内容简介（中文）： 唐岱（一六七三－？）满洲正白旗人。字毓东，号静巖，又号知生，一号默庄。官内务府总管，以画祇候内廷。为王原祁弟子，山水沈厚深稳，得力于宋人居多。 图绘风雨霶霈，江浪汹湧中，一舟满载乘客，急于归航之景。不论是大笔挥洒出的雨势，抑细笔描画柳枝、芦苇的倾趋，画家皆成功地将自然界中强风骤雨之景象显现在画面上。尤以船夫抵着风雨，奋力撑篙。乘客持板、伞，欲获庇挡之态，更是刻划入微，生动如活。 内容简介（英文）： Returning Boat Amidst Rain and WindT’ang Tai (1673-?)Ch’ing DynastyT’ang Tai was a native of Manchuria, member of the Cheng-pai banner. His style name was Yü-tung, and sobriquets Ching-yen, Chih-sheng, and Mo-chuang. T’ang acted as superintendent of the Imperial Household Department, and served directly as a painter to the Emperor in the Inner Court. A student of Wang Yüan-ch’i, his landscape scenes are imbued with a remote and profoundly dignified air that was most heavily influenced by the Sung dynasty masters. This scene depicts a vessel loaded with passengers, hastening on a return voyage through torrential rains and turbulent waves. Whether by rendering sheets of spattering rain with a large brush in order to describe gracefully bending willow branches and reeds, the artist has successfully described a scene of harsh wind and heavy, beating rain that is a true-to-life portrayal of natural phenomenon. The viewer appreciates the strength of nature through the boatman bent beneath the force of the elements while struggling to pole the boat. The details of the passengers, one clutching a large board over his head and several huddling under one umbrella, and their expressions as they head for shelter, make the painting appear even more lively.
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