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清高宗乾隆十一年(1746)文字类型:
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本幅纸释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:唐岱;题跋位置:本幅;款识:乾隆十一年(西元一七四六年)闰三月朔。臣唐岱恭画。;书体:楷书;全文: 印记:臣唐岱、朝朝染翰主题:
主要主题:山水 ;次要主题:器用耕织渔猎渔(罟);次要主题:建筑桥 ;其他主题:树木杨柳 ;其他主题:建筑茅草屋 ;其他主题:花草芦苇 ;其他主题:器用文玩(琴棋书画)琴、书;其他主题:器用乐器 ;其他主题:器用花器 ;其他主题:器用家俱(屏风)桌、椅;其他主题:建筑篱笆、围墙 ;其他主题:山水江河、湖海江河;其他主题:人物渔夫、船夫渔夫;其他主题:树木松 ;其他主题:人物百姓 ;其他主题:树木 ;其他主题:人物侍从(侍女、童仆)童仆;其他主题:山水瀑布 ;其他主题:人物高士(士人、隐士)高士技法:
写意 皴法 皴法牛毛皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录: 石渠宝笈续编(宁寿宫),第六册,页3012 收藏着录: 故宫书画录(卷八),第四册,页116 收藏着录: 故宫书画图录,第十二册,页363-364 内容简介(中文): 唐岱,康干年间,满州人。字毓东,号静巖,一号默庄。善画山水,出自王原祁之门,圣祖尝御赐画状元。乾隆时,祇候内廷,所画常得高宗睿题。作品气息沉厚稳重。此幅构图,山石勾搭富有变化,树木掩映幽深。尤以用笔茂密,用墨深郁,满纸苍秀逼人,深得王蒙画法三昧,为唐岱画中,不可多见之佳作。 内容简介(英文): Landscape in the manner of Wang MengT’ang Tai (17th-18th century)Ch’ing dynasty T’ang Tai (active during the K’ang-hsi and Ch’ien-lung reigns, 1662-1795) was a Manchurian. His style-name was Yü-tung and he was also known as Ching-yen and Mo-chuang. T’ang Tai excelled as a landscape painter and was a student of Wang Yüan-ch’i. The K’ang-hsi Emperor thought him the finest of all the imperial painters and the Ch’ien-lung Emperor appointed him a painter-in-attendance, favouring his paintings with many inscriptions and colophons. T’ang Tai’s work expresses a broad and stable spirituality. The structure of this painting shows a closely-interweaving texture of mountains and rocks; a wood glimmers in the background. Both brushwork and ink are tightly –packed, lending a sense of vigour and elegance to the work while at the same time expressing the essence of Wang Meng’s style. This painting is one of T’ang Tai’s best.