书体:

色彩:

水墨

装裱形式:

册(蝴蝶装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

作者印记：赵氏文印
作者印记：赵文俶印

题跋资料:

主题:

主要主题：花草梅（白．红．蜡梅） 

技法:

写意 

参考资料:

收藏着录： 石渠宝笈初褊（养心殿），上册，页500 收藏着录： 故宫书画录（卷八），第四册，页165 收藏着录： 故宫书画图录，第三十册，页230-235 参考书目： 1.刘芳如，〈明文俶墨梅〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页92-93。 内容简介（中文）： 文俶（西元一五九五－一六三四年，一作一五九四－一六三四年），长洲人。「无声诗史」作淑，字端容，款署寒山兰闺画史。文从简女，归赵宦光子灵均。书画得家法，性明惠，所见幽花异卉，小虫怪蝶，信笔渲染，皆能抚写性情，鲜妍生动。 老干挺立，有梅一枝从旁侧出延展。构图明简、墨沈淋漓。用笔写意，却神态古秀，颇饶姿韵。 本幅为「明人便面画册四」第十六开。 内容简介（中文）： 文俶，字端容，生在明神宗万历二十三（公元一五九五）年，江苏长洲人，文从简的女儿，嫁吴中高士赵灵筠为妻，生性聪慧，善绘画，见物即能摹写，年四十便去世。她的画，擅长花卉。传说她平日居家，偶然看见奇花异草、小虫怪蝶，都随手画下，共收集千种，合成一册，题名「寒山草木昆虫状」。可说写生功力极深，因此，对捕捉花木草虫的性情特征，有独到之处，这帧扇面墨梅便是一例，取景极简单，潦潦数笔，卽点出梅的特色，老干嫩枝疏花，三者相映成趣，将梅花的清、疎、幽意境表现无馀。 内容简介（英文）： Wen Shu (tzu Tuan-jung) was a native of Ch’ang-chou in Kiangsu, the daughter of Wen Ts’ung-chien (great-grandson of Wen Cheng-ming). She married the scholar Chao Ling-chün (1591-1640) of Wu-chung. Clever and talented by nature, she was a gifted painter who could sketch anything she saw, but she died at the young age of 40 years. She specialized in painting flowers, and it is said that every day at home whenever she saw a strange flower or unusual grass, a small insect or rare butterfly, she would casually sketch it. Altogether there were said to be a thousand varieties which were collected into an album and given the title “Grasses, Trees, and Insects from the Wintry Mountain.” This fan painting is an example of her skill at capturing the nature of her subjects. The scene selected in very simple, sketched in with many wet brushstrokes. Dots of ink bring out the special flavor of the plum. The old trunks, new branches, and scattered blossoms seem to move in the light, possessing the three qualities traditionally associated with the plum: purity, aloofness, and seclusion. 内容简介（英文）： Wen T’i’s name is given as Shu in Wu-sheng History of Poetry and her style name Tuan-jung in an inscription in The Han-shan Lan-kuei History of Painting. A native of Ch’ang-chou, she was the daughter of Wen Ts’ung-chien and married to Chao Ling-chun, son of Chao Huan-kuang. She inherited the family methods of painting and calligraphy and was by nature bright and intelligent. In her depictions of solitary flowers, rare plants, small insects, and unusual butterflies, she quickly applied washes of ink so as to depict all their animated character and freshness. In this album leaf stands an old plum tree with a single branch of blossoms extending out from the side. The composition is clearly defined and abbreviated, using ink that had been freely applied. The brushwork is sketchy with a spirit of archaic elegance that imparts an abundance of harmony.