书体:

色彩:

设色

装裱形式:

册(推蓬装)

创作时间:

明世宗嘉靖四十三年（1564）

文字类型:

质地:

本幅纸

释文:

印记资料:

收传印记：希之
收传印记：□来
收传印记：姜氏二酉家藏

题跋资料:

题跋类别：作者款识；作者：陆治；题跋位置：本幅；款识：嘉靖甲子（西元一五六四年）桂秋。包山陆治写。楷书

主题:

主要主题：花草菊雏菊主要主题：花草雁来红 主要主题：花草芙蓉 主要主题：花草海棠（草）秋海棠 主要主题：花草秋葵 

技法:

没骨 双钩 

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第二册，页534 收藏着录： 故宫书画录（卷八），第四册，页28 参考书目： 1.王耀庭、张华芝，〈明陆治折枝秋卉〉，收入王耀庭、张华芝编，《明陆治作品展览图录》（台北：国立故宫博物院，1992年初版），页77-78。 内容简介（中文）： 陆治（西元一四九六－一五七六年），吴县人。字叔平，号包山子。倜傥好义，好孝友称。诗文书画并工。尝游文衡山、祝枝山之门，画名几与衡山相埒。画雁来红、秋葵、桂花、芙蓉、海棠、菊及果等。陆治性喜栽菊，亦及于众花，﹝陆包山遗稿﹞中颇多吟咏花木者，此图为集秋日折枝花卉于一扇。画花必知四时之分，因众花生长季节不同，又如画折枝花，无蜂蝶之来往，皆是画家所宜注意者，陆治于此颇能得法。惟此画风格与「花卉」一幅相近。本幅为「明人画扇－亨」册第十五开。 内容简介（英文）： Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He excelled at poetry, classical prose, calligraphy and painting. He was a close friend of Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559), who taught him the art of painting. Lu developed his own special features, and became revered in his own time. He enjoyed imitating the styles of Sung masters, but often expressed his own ideas as well.Depicted in this painting are the Chinese amaranth, sunflowers, osmanthus, crab-apples, and chrysanthemums. Lu Chih was fond of planting chrysanthemums and other flowers as well. In the Pao-shan-i-kao, there are many poems about flowers and tress. This work incorporates various cut autumn flowers on a fan. To paint flower painting, an artist must be familiar with variations in the four seasons, as many plants grow in different seasons. Artists must also understand that no bees or butterflies come to cut-flowers. These are all details which artists give close attention. Lu was particularly able to capture an accurate sense of nature. The style of this painting closely resembles that of his flowers. This is the fifteenth leaf from An Album of Mounted Fan Paintings by Ming Artists.