书体:

色彩:

设色

装裱形式:

册(蝴蝶装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅绢

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：姚文翰；题跋位置：本幅；款识：姚文翰恭画；书体：楷书；全文： 印记：恭画

主题:

主要主题：建筑亭 主要主题：人物仕女 ；次要主题：树木梧桐 ；其他主题：山水秋景 ；其他主题：山水奇石 ；其他主题：山水江河、湖海江河；其他主题：树木竹 ；其他主题：花草  ；其他主题：花草桂花 ；其他主题：花草鸡冠花 ；其他主题：建筑庭院 ；其他主题：建筑栏杆 ；次要主题：器用家俱（屏风）桌、椅；其他主题：器用花器 ；其他主题：器用文玩（琴棋书画）棋、画

技法:

工笔 写意 界画 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页155 收藏着录： 故宫书画图录，第二十八册，页142-147 内容简介（中文）： 姚文瀚生平籍贯不详，多以佛道人物为主。此套册页中皆是清词臣法书、宫廷画家小品之作，姚文瀚此〈芳亭采花〉描绘园中仕女下棋、赏画、插花等清赏活动，仕女开脸接近焦秉贞一系，惟眼部等五官特质又有其特色。姚文翰活动时间约在乾隆中期，其仕女可谓为陈枚后的清宫风格面貌。 内容简介（英文）： Little is known about the life of Yao Wen-han, including his birth and death dates, but most of his paintings done for the court were of Taoist and Buddhist figures. This set of album leaves includes calligraphy by Ch’ing poet-officials and painting by court artists. In this work, Yao Wen-han has depicted ladies playing wei-ch’i, appreciating paintings, and arranging flowers. The style of the ladies’ faces are in the manner associated with Chiao Ping-chen (fl. ca. 1689-1726), with only such facial feature as the eyes being in his own style. Yao Wen-han was active approximately in the middle of the Ch’ien-lung reign (r. 1736-1795), and his paintings of ladies can be said to be in the Ch’ing court style following after that of Ch’en Mei (ca. 1694-1745).