书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：爱新觉罗弘旿；题跋位置：本幅；款识：臣弘旿恭绘；书体：楷书；全文： 印记：（二印漫漶不可辨）题籤    弘旿墨笔丛岩叠翠直幅纸本。

主题:

主要主题：山水  ；其他主题：山水山径 ；其他主题：山水溪涧、湍泉 ；其他主题：山水烟、雾 ；其他主题：树木  ；其他主题：树木松 ；其他主题：建筑房舍 ；其他主题：建筑水榭 ；其他主题：建筑桥 

技法:

写意 皴法披麻皴苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页179 收藏着录： 故宫书画图录，第十一册，页121-122 内容简介（中文）： 弘旿，生年不详，卒于嘉庆十六年（西元一八一一年），满清宗室，姓爱新觉罗，字恕斋，又字醉迂，号一如居士、瑶华道人，官封固山贝子，能诗又能画。以绘画作品流传，多见于乾隆十六（一七五一）至五十七年（一七九三）。本幅画重山树木。出枝点叶、以及山峰岩石纹理的皴法，用笔用墨，都显得非常茂密，大有群山耸翠，翁郁有生气。全幅构景，以左下右上对角线为主轴发展，益增其巍巍高上的峻拔气势。清初山水画，王时敏、王原祁有相当的影响力，本幅即是这一种风格的延续 内容简介（英文）： Hung Wu (surname Ai-hsin chüeh-Io [Aisin Gioro], style names Shu-chai and Tsui-yü, and sobriquets I-ju chü-shih and Yao-hua tao-jen) was a member of the Ch’img Manchu imperial clan and held the title of Banner Beile Prince. Also gifted at painting, as well as poetry, his surviving works date from 1751 to 1792.In this painting of serried ridges and forests, a profusion of leaves dot many of the trees. The texture of the earthen forms and mountains were rendered with dark brushstrokes repeated over and over to give the appearance of a dense, lush landscape. The composition unfolds from a diagonal line that stretches from lower left corner to the upper right, thereby enhancing the majesty of the towering mountains. In this Ch’ing dynasty landscape painting, the influence of the styles of Wang Shih-min (1592-1680) and Wang Yüan-ch’i (1642-1715) is strong, and it reflects a continuation of their style.