书体:
色彩:
设色,描金装裱形式:
轴创作时间:
文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
主题:
主要主题：佛道人物菩萨4位；次要主题：花草莲荷技法:
工笔 人物衣纹描法(匀称线条)参考资料:
收藏着录： 秘殿珠林续编（干清宫），页129 收藏着录： 故宫书画录（卷五），第三册，页255 收藏着录： 故宫书画图录，第五册，页167-168 参考书目： 1.朱惠良，〈元人说经图〉，《故宫文物月刊》，第18期（1984年9月），页106-110 。 内容简介（中文）： 本组元人说经图共有三幅，中幅是说经的主尊，左右两幅为听经的八大菩萨。菩萨皆头戴宝冠，身着天衣，璎珞庄严，肃立莲华座上。神态慈悲祥和，用笔圆劲而流畅，设色富丽而古豔，是佛画中的上品。 中幅绘释迦牟尼佛结跏坐，右手作说法印。二大弟子阿难、迦叶侍立左右。惟此幅无论绢质、用笔、设色，都与左右两幅不同，且阿难、迦叶的方位错置，疑为清廷画工所补画。 内容简介（英文）： "Expounding the Sutra," by an anonymous painter of the Yüan dynasty, is composed of three scrolls. In the middle scroll Šàkyamuni preaches the Buddhist sûtra. On the left and right scrolls are eitht Bodhisattvas listening to him. The Bodhisattvas all wear a precious cap and heavenly attire, and are each further adorned with a necklace of precious stones. All stand in respectful attention on lotuses and possess an air of mercy and peace. The brushwork is elegant, forcefu1, and fluid; the application of color magnificent and charming. The two scrolls are excellent renderings of Buddhist subjects. In the middle scrol1, Šàkyamuni Buddha sits cross-1egged, and his right hand gestures in one of the mystic positions. The two attendant disciples Ânanda and Mahâkâšyapa stand on Šàkyamuni's left and right. In terms of material, brushwork or application of color, this section is different from the other two scrolls. Moreover, the positioning of Ânanda and Mahâkâšyapa in wrong, arousing suspicion that this section was painted by a Ch'ing dynasty court craftsmanpainter.
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