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明思宗崇祯七年（1634）文字类型:
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本幅纸释文:
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鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：张宏；题跋位置：本幅；款识：甲戌（西元一六三四年）冬孟。明止挈游栖霞。冒雨登眺。情况颇饶。归而图此请政。吴门张宏。；书体：楷书；全文： 印记：张宏之印、君度主题:
主要主题：山水名胜栖霞山主要主题：山水石磴、栈道石磴主要主题：树木松 ；次要主题：树木枫树．槭树枫树；次要主题：树木竹 ；次要主题：山水冬景（雪景）孟冬；次要主题：山水山径 ；次要主题：建筑寺庙 ；其他主题：建筑洗手台 ；其他主题：建筑井 ；其他主题：建筑佛堂佛龛；其他主题：建筑篱笆、围墙围墙；其他主题：建筑桥 ；其他主题：建筑亭 ；其他主题：建筑塔 ；其他主题：建筑房舍 ；其他主题：花草藤萝 ；其他主题：树木 ；其他主题：树木柏 ；其他主题：树木寒林．枯树 ；其他主题：人物侍从（侍女、童仆）童仆；其他主题：人物高士（士人、隐士）技法:
写意 皴法 人物衣纹描法(减笔)参考资料:
收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2876 收藏着录： 故宫书画录（卷五），第三册，页471 收藏着录： 故宫书画图录，第八册，页383-384 参考书目： 1.黄文玲，《张宏《栖霞山图》研究》，国立台湾大学艺术史研究所硕士论文，2002年。2.陈韵如；〈见诸相非相—吴彬画罗汉轴〉，《故宫文物月刊》，第355期（2012年10月份），页56-61。 内容简介（中文）： 张宏（西元一五七七－约一六五二），吴郡（江苏苏州）人。他擅长画山水，用短促的笔法和湿润的墨色画山石树木，独具特色，构图也常有新意。他常以实景山水入画，本幅即是一例。栖霞山在南京近郊，以寺院和千佛洞闻名。题跋标明作于一六三四年，是与友人冒雨登山眺望所见。画中云雾氤氲，林木繁茂，掩映着小径、寺院、与密集的小佛龛，在庞大画面上营构出生意盎然的世界。 内容简介（中文）： 张宏字君度，号鹤涧，江苏吴县人。生于万历八年（西元一五八０），逝世的时候已八十多岁。擅长山水、人物。笔意古拙，墨法湿润。 画中景色如站在高山向下张望，佛寺、佛龛、亭、塔呈现在脚下。山中石径蜿蜒而上，使画幅上下连成一气。用笔苍劲，描绘仔细，是栖霞山（在今江苏江宁县）的写实景色。 内容简介（英文）： Chang Hung was a native of Kiangsu. His style name was Chün-tu; his sobriquet was Ho-chien. An able landscape painter, Chang Hung’s brushwork was antique and unstudied; his use of ink is rich and moist. The scenery of this landscape is seen from a lofty vantage point, as if the viewer is standing on a mountain and looking down at Buddhist temples, shrines, pavilions, and pagodas spread out at one’s feet. The mountain paths ascend the mountain with torturous twists and turns, effectively weaving together the pictorial structure of the painting. The artist’s brush is lush and strong. This detailed painting depicts the actual locale of the Mount. Ch’i-hsia, located in modern-day Chiang-ning county, Kiangsu province. 内容简介（英文）： Chang Hung, a native of Soochow, excelled at landscape painting. Using short brushstrokes and moist ink washes to depict hills and forests, his innovative compositions were unique at the time. Chang Hung often used actual sites for his landscape paintings, as seen here. Mt. Ch’i-hsia is located near Nanking and is famous for its temples and the Thousand Buddhas Caves. This work, dated 1634, records near and distant scenery viewed from an opposite peak by Chang and company on a rainy day. Shown here are luxuriant and dense trees filled with mists and clouds. Figures are walking in the foreground past a small temple on a path that leads up into the mountains, creating a lively and intimate scene for the large surface of this painting. 网页展示说明 张宏（西元一五七七－约一六五二），吴郡（江苏苏州）人。他擅长画山水，用短促的笔法和湿润的墨色画山石树木，独具特色，构图也常有新意。 他常以实景山水入画，本幅即是一例。栖霞山在南京近郊，以寺院和千佛洞闻名。题跋标明作于一六三四年，是与友人冒雨登山眺望所见。画中云雾氤氲，林木繁茂，掩映着小径、寺院、与密集的小佛龛，在庞大画面上营构出生意盎然的世界。(20100408) 网页展示说明 Zhang Hong, a native of Suzhou, excelled at landscape painting. Using short brushstrokes and moist ink washes to depict hills and forests, his innovative compositions were unique at the time.Zhang Hong often used actual sites for his landscape paintings, as seen here. Mt. Qixia is located near Nanjing and is famous for its temple and the Thousand-Buddha Caves. This work, dated 1634, records near and distant scenery viewed from an opposite peak by Zhang and company on a rainy day. Shown here are luxuriant and dense trees filled with mists and clouds. Figures are walking in the foreground past a small temple on a path that leads up into the mountains, creating a lively and intimate scene for the large surface of this painting.(20100408) 网页展示说明 张宏（1577-约1652）、呉郡（江苏苏州）の人。山水画に长け、迅速で短めな笔法と润いに満ちた墨色による山石や树木の描写が独特であり、构図にも新しさが见られる。张宏の作品は実景の山水を意识して描いたものが多く、本作もその一つである。栖霞山は南京の近郊にあり、寺院と千仏洞で名を驰せる。题跋には1634年の作とあり、友人とともに雨の中で目にした情景を描いたものである。云雾が立ち込め、生い茂った木々の间から小径や寺院、密集する小さな仏龛が见え隠れし、大きな画面上に生気に満ちた世界が描かれている。(20100408)
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